462 OP THE MUSICAL SCALES 



That the Hindus probably, by this division of the 

 octave, meant nothing more than what I hafte before 

 supposed, map appear from the following table, in 

 which the intervals, between each note and the note 

 above it, are taken from Mr. Malcolm's series of the 

 octave in the two modes (as given by Mr. Chambers 

 under the article scale). This I have done, in order to 

 compare those intervals with the S'ruti of the Hindu- y 

 and to show the difference. 



