ie) 
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“Accommodations for comfort of au- 
~ diences, 8, 34-35, 35°, 50-51, 51°, 52. 
_ Actors, Children ‘of the Chapel as, 
1, 4, 5, 11, 138, 16, 18, 40, 41, 53, 54, 
56°, 58, 59°-62, 65, 66, 68-70", Om 
72, 73-76, 77-83, 92, 105, 106-7, 
113, 115, 127, 141, 150, 151, 163, 
165°, 166, 174, 176-82, 183; devel- 
oped by children-companies, 13- 
14, 180°; irresponsibleness of chil- 
dren, 15; hindered by stage-pa- 
trons, 44, 46, 142, 143-46; view of, 
on Blackfriars and modern stage, 
47°; number of, at Blackfriars, 
74-76, 127; names of, at Black- 
friars, 76, 80°, 132°, 163, 165°, 177’; 
impressment of boys as, 17, 53, 57, 
60-68", 70, 71, 73-74, 77-83, 99, 
101, 102, 114, 127, 152; contract 
for employment of boys as, at 
Blackfriars, 80°; not “gentlemen’s 
children” at Blackfriars, 82, 180°; 
English, in Germany, 110'-12, 128; 
art of Elizabethan-Jacobean and 
modern, 134°; law against stroll- 
ing, 150, 152°, 13: ‘relations of, 
at Blackfriars and other theatres, 
163-72; strolling or traveling of, 
caused by Blackfriars, 175*-76; 
Fletcher’s, patronized by James 
VI of Scotland, 175°-76; superi- 
ority of, at Blackfriars, 176-77". 
See Blackfriars, Children, Eliza- 
beth, Theatre. 
Admission price, at Blackfriars, 36, 
112, 177; comparative view of, 6, 
ies 
Alleyn, Edward, Fortune contract 
by, 7°-8; on cost of Fortune, 29°. 
All Fools. See Chapman. 
Allusions, local. See Plays. 
Antimasque. See Masque. 
Antonio and Mellida. See Marston. 
Antonio’s Revenge. See Marston. 
SUBJECT INDEX 
- [This analytical index of chief subjects, supplemented by cross-refer- 
- ences in the foot-notes, may serve for most purposes in lieu of the more 
severely scientific index rerum et nominum et titulorum, which is too ex- 
_ tensive to be practicable in this introductory volume.] 
Apologetical Dialogue. See Jonson. 
Apparel. See Stage-apparel. 
Archives and original documents, 
Xil, XIV-XV. 
Art of Elizabethan-Jacobean and 
modern acting, 134°. 
Articles of agreement, by Black- 
friars managers, 85, 87-91, 102; 
date of, 85, 87°, 88-91; 200/. bond 
as security in, 88, 92°; lawsuits 
concerning, 89-91; terms of, in 
200 /. bond, 91-92°. See Bond. 
Artificial. lighting of Blackfriars, 
106-7, 124. 
Assignment of Blackfriars lease by 
Evans to Hawkins, purpose of, 
85-86, 93; date of, 89-91; not in 
trust, 89°, 
Attitude of Elizabeth toward thea- 
tres, results of, 155, 156-57, 158, 
159, 163-72, 175-82. 
Audiences, relative position of, to 
stage, 1x, 50-plat-51, 52; select, at 
Blackfriars, 6, 7, 8, 35-36, 43, 45, 
48°, 51, 52, 71, 82-83, 95, 96, 97, 
106-7, 112, 119, 124, 128, 142, 155, 
157, 164-66, 175-77, 181-82; pro- 
visions for comfort of, 8, 34-35, 
35°, 50-plat-51, 51°, 52; Hamlet on 
losses of genteel, to Blackfriars, 
164, 175-77, 181-82; Poetaster on, 
165-66; Cynthia's Revels on, 166; 
Satiromastix on, 166; Case ts 
Altered on, 176°. 
Balcony of Blackfriars, 48, 50-plat- 
51; use of, for musicians, 48°, 50- 
plat-51. 
Bear Garden, Thomas Platter on, 
7-8; date of, 9°; architecture of, 
18°; cost of, 30; structure and fin- 
ishing of, 32*; location of, 153’. 
Eestrafte Brudermord, Der, rela- 
tions of, to Hamlet, 184’. 
301 
