Bsc, 12-14, 163°; not a “nursery,” 
3; and dramatic freedom, 13, 123; 
developed great actors, 13- 14, 163, 
177", 180°; quality of dramas of, 
Children ‘of the Chapel, as choris- 
ters, 1-6, 11, 60-68, 73; Court- 
i _ service of and its evolution, 1, 4-5, 
fm fi, 68-70, 71, 73, 74; secular uses 
of, il and origin, 5; salary and 
” fees of, 3%, 4; maintenance of, 3, 
mee. %3,-127 ; with James I in Scot- 
‘land, 3'; pay of, 3°, 4; double 
functions or4; 19, 68- 1 WEN RE 
74. 
aSeactOLrs, 1,4) Dy) LL, 13.) 16, 
18, 40,:41, 53, 54, 56%, 58, 597-62, 
65, 66, 68-70", 70-72, 73-76, 77-83, 
92, 105, 106-7, 113, 115, 127, 141, 
150, 151, 163, 165°, 166, 174, 176-82, 
183; Puritanic opposition to, 4, 79, 
126, 149, 150, 159; evolution of 
court-service of, 5, thy, GS-10; 71, 
73, 74; court- performances of, as 
source of private theatre, 5; with 
Paul’s Boys at Blackfriars, 24, 
See Chapel, Children at Black- 
friars, Commission, Elizabeth, 
Evans, Gyles. 
Children of the Chapel at Black- 
friars, maintenance of, x, 4, 40, 71, 
73-76, 91-92, 95, 98-104, 105, 106— 
menlage ela, «128-29, AV8=82); 
Queen’s requirements "for train- 
ing of, in various arts, xi, 4-5, 
9-11, 40, 56, 59°-60, 71, 74, 80%, 
105-25, 127, 163, 180; singing of, 
xi, 5, 9, 71, 80°, 106-7, 113-144, 
115, 121, 163, 180; music of, xi, 4, 
. ~ 
V 
a aad atte SS ee 
- 
aan ar PS ra 
Se Ne ae 
115, 116-18, 121, 122, 163; danc- 
ing of, xi, 5, 44, 71, 118, 163; 
masque in plays of, xi, xii, 5, 10%, 
44, 113, 114, 119-21, 122-24, 163, 
167; period of, 1, 184-85; Queen’s 
establishment of, as actors, 1, 4, 
"5, 13, 16, 18, 40, 41, 53, 54, 56', 58, 
m. 59-62, 65, 66, 70-72, 73-76, -80', 
"82, 83, 85, 86, 87-94, 95, 96, 103, 
- 106-7, 112, 113, 115, 117°, 121, 123, 
—- 126-29, 132°, 141, 150, 151, 163, 
165", 166, 174, 176-82, 183; prec- 
v edents for establishment of, 1, 62- 
‘ ‘66, 68-70; source of, the Queen’s 
will, 1, 70, 71, 112, 150; as source 
of Revels children, 1, 74; imita- 
Pra PA 
5, 9, 10, 11, 71, 106-7, 113, 114,: 
SUBJECT INDEX 191 
tions and echoes of, 1, 16, 117’, 
121, 163; evolved performances of, 
4-5; the lost repertoire of, 5, 122; 
stage-apparel for, furnished by 
the Queen, 5, 83, 91-92, 99-100, 
101, 106-7, 123, 124, 126, 127, 129, 
178, 183; comedy-period of, fol- 
lowed by tragedy, 5, 183; wide 
influences of, 12, 13, 14-15, 16, 95, 
105,° 141; 163, 1777, °-180°;. “chief 
dramatists as poets for, 12-14, 
163°; conduced to dramatic free- 
dom, 13, 113, 123; in competition 
with Shakespeare, 14, 15, 174, 175- 
82; and offsprings of, 14, 16; 
errors in history of, 18’, 59°, 77, 
177°; boarding and lodging of, 41, 
Mile 73- 76, 103; Court- perform- 
ances of, 72, 96, 112, 115, 121-22%, 
157; number of, as actors, 74-76, 
127; plays of, 75, 113-25, 165-72; 
names of, 76, 80°, 132°, 163, 165’, 
177°; age of, 76; popularity of, 
80°, 85', 94, 104, 117°-18, 123, 124, 
166; * 173-74, 176-775, use of, as 
actors, officially sanctioned, 81, 83, 
99, 101-2, 126-29, 130; not gentle- 
men’s children, 82, 180°, 180°; un- 
der new management, 85, 86, 87- 
94, 102, 103-4, 113, 115; and Ham- 
let, 86, 115, 129, 133, 158‘, 164, 167, 
168, 173-85; status of, 105-25; 
Duke of Stettin on, 106-7, 108-25; 
model for Duke of Stettin’s es- 
tablishment, 109-12; concert-mu- 
sic popularized by, 117°, 121; as 
“the fashion,’ 123, 166, 173-74, 
176-77; reduced to public-theatre 
level, 183. See Blackfriars, Clif- 
ton, Commission, Duke, Elizabeth, 
Evans, Gyles, Hamlet, Music, 
Plays, Singing. 
Children of her Majesty’s Royal 
Chamber of Bristol, old men as, 
ia i 
Children of the King’s Revels at 
Whitefriars, period of, 1; dram- 
atists and dramas of, 14, 15; con- 
certs by, 117’, 121; value of ward- 
robe of, 178°. 
Children of the Revels, three com- 
panies of, 1; source of, 1, 74. 
Children of the Revels to the Queen 
at Blackfriars, period of, 1; sup- 
pressed by James I, 13, 44'-45* 
iv”: satirize the sKing, 15, 163%, 
305 
