; c tention, “of City and Crown, 
over Blackfriars, x, xii, 20-21’, 
, 04, 152-54, 156, 159, 160, Gio 
62; of Fa and Theatre against 
Children of the Chapel at, 4, 
Sestmasques at, 22, 118-19, 122°, 123; 
Children of Blackfriars at, 72, 96, 
s Mite £5,121—22'; 157; “showe” at, 
a t15, 121; records of Children of 
~ Chapel at, 127; late Elizabethan 
E _ public- -theatre companies at, 155; 
- no plays at, Christmas, 1601-[2], 
159-60. 
‘ Court, the, attends Blackfriars, 95- 
& 9%, 101, 112, TOS Aa77 >: 
Court-entertainments, rehearsals for, 
- 22; of Children at Blackfriars, 
72, 96, 112, 115, 121-22", 157; in- 
~ fluenced by Blackfriars drama, 
123; omitted, Christmas, 1601- 
[2], 159-60. 
Oe taeda of Children in 
_ the Chapel, as source of private 
theatre, 5-6. 
Bisetice of Children of the 
Chapel, primary, 1, 4; evolution 
mevor, 4-5, 11, 68-70, 71, 73, 74. 
¥ Crown. See Blackfriars, City, Con- 
tention, Elizabeth, James, Theatre. 
‘Cuckqueanes and Cuckolds Er rants, 
the. See Percy. 
“Cuffs, ” meaning of, 181’. 
Curtain theatre, the, Thomas Plat- 
fer- on, 77-8; date of, 9°; archi- 
» tecture of, 18°; cost of, 30; 
unhistorical stage of, 49’, 137°; sit- 
ting on the stage of, 138; orders 
regulating, 148*; opposition to, 
149’; orders against, revoked, 
149*-50; City’s request to sup- 
press, 152-53; orders to suppress, 
153, 156, 156°; location of 153’; 
restrained by Privy Council, 158, 
¥ 181°. 
Customs. See Theatrical. 
eathia's Revels. See Jonson. 
Wa er ee Oe Pe pee Oe ee 
Biancine. taught and practiced at 
_ Blackfriars, xi, 4-5, 71, 118; 
193 
within the play, 5, 44, 118, 163; 
in early German theatre, 111; evi- 
dences of, in Blackfriars plays, 
Tees “the swaggering upspring,” 
119°. See Masque. 
Daniel, Samuel, and John, 117’. 
‘Dates of plays. See Chapman, 
Chronology, Dekker, Jonson, 
Marston, Shakespeare. 
D’Avenant- Killigrew theatrical mo- 
nopoly, 11, 110°, 148. 
Davies, Sir John, on sitting on the 
Stage, 132°; on sitting “over” the 
stage, 135; on. the “gull,” 138°-39., 
Day, John, The Isle of Guis, indis- 
cretions of, 15. 
Decree of Star Chamber, shows 
grants to Evans, 56, 71-72, 81-83, 
$9; effect of, on Gyles, 70-71, 83; 
127; nature of, 81-83; satirized 
by Chapman, 82-83, 86-87 ; effect 
of, on Blackfriars, 83, 87, 88, 93- 
94, 115, 159; prohibitive effect of, 
on Evans only, 83, 87-91, 93-94, 
103, 115, 159; date of, 84-87" al Ore 
basis of, 126, 159. 
Dekker, Thomas, new play by, xv, 
164°, 
—— Guls Horne-Book, The, on 
lords’ rooms, 43, 141; on sitting 
on the stage, 46, 133%, 140°, 140°; 
on the “gull,” 140°; on stage- 
quarrel, 133, 140, 172. 
Patient Grisell, with Chettle 
and Haughton, plagiarianism of, 
170. 
Satiromastix, on bugle- 
Diastshi at Globe and Paul’ S3 
1¥, 158, 181; on Jonson at Black- 
friars, 41*, 133; thrusts Jonson 
and Blackfriars Boys, 168; satir- 
izes Poetaster, 171. See Stage- 
quarrel. 
- and Wilkins, George, Jesis 
to Make you Merr , on sitting 
“over” the stage, 135%. 
Devil is an Ass, The. See Jonson. 
De Witt, Johannes. See Swan. 
Diary. See Duke, Henslowe, Plat- 
ret. 
Differentiation of “public” and “pri- 
vate” theatres, 9, 12, 156-57, 161%. 
Documents, new. See Blackfriars, 
Children, Globe, Shakespeare. 
Documents, original, and archives, 
Xil, Xiv-XV. 
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