> 
tanic opposition to, 4, 79, 126, 149, 
- 150, 159; functional divisions of 
Children of the Chapel by, 4, 71, 
_ %3-76;°stage-apparel provided by, 
5, 83, 91-92, 99-100, 101, 106-7, 
123, 124, 126, 127, 129, 178, 183; 
differentiation of “public” and 
“private” theatres by, 9, 12, 156- 
57, 161°, 176°; entertained at 
Blackfriars, 26; death of, 44, 162’, 
183; orders of, against theatres, 
54, 148, 149, 150-517, 152, 153, 
155, 156, 157-58, 160; grants by, 
to Evans, for using Children as 
Actos, 00,¢ (1-712, 81-82, 99; 101, 
126, 127%;, Latin patent by, .to 
Gyles, as Master of Children, 59*- 
60, 71, 73-74; commission by, to 
take up children,—to [unnamed], 
64°; —to Bower, 64°; —to Thomas 
Gyles, 67°; interpretation of Na- 
thaniel Gyles’s commission al- 
lowed by, in practice, 70-72, 73- 
76, 77-83, 95-97, 106-7, 127, 152, 
155-62, 175; theatrical plans and 
orders of, revoked by James I, 74, 
149-50, 161’, 183; general pardon 
by, meaning of, 77°; and Clifton’s 
Complaint, 81-83, 159; attends 
Blackfriars after Clifton’s Com- 
plaint, 84*, 87, 96", 160, and before 
decree, 87°; first sovereign at a 
theatre, 97°; “showe” at Court of, 
115, 121-22; masques at Court of, 
118-19, 122°, 123; theatrical pur- 
poses of, official acts by, and op- 
position to, 129, 148-62, 175; state 
control of theatres begun by, 148, 
148-62; methods of theatrical 
‘reformation by, 150°-51’, 152-53, 
154-55; law of, against strolling 
players, 150, 152°, 175°; purposes 
of, for Globe and Fortune, 151, 
155; protects Blackfriars, 153, 154, 
155, 156-57, 160-61", 176°; results 
of theatrical attitude of, 155, 156- 
57, 158, 159, 163-72, 175-82; dis- 
pleasure of, with Globe company, 
157, 160; partisanship of, for 
Blackfriars, censured by Shake- 
speare, 158*, 178-81; law of, 
against criticism in stage-plays, 
164, 176, 181°. See Blackfriars, 
Chapel, Children, Commission, 
Gyles, Evans, Orders, Privy. 
English actors, art of Elizabethan- 
SUBJECT INDEX 195 
Jacobean and modern, 134’. 
English actors in Germany, docu- 
ments on, 110°; first companies of, 
110-12; imitations of, 110°; throt- 
tled by monopoly, 110°; patronage 
of, modeled after London public 
theatres, 111; Duke of Stettin’s, 
and Blackfriars, 111, 128; music 
and dancing of, 111. 
“Erect” or “set up,’ meaning of, 
128%, 
“Escoted,” meaning of, 178-79. 
Essex conspiracy, Globe company’s 
connection with, 157, 160; cause 
of closing theatres, 158. 
Establishment of Blackfriars. See 
Actors, Blackfriars, Children, 
Elizabeth. 
Evans, Henry, opens Blackfriars, 16, 
53, 56°; leases Blackfriars, 17, 40, 
56', 57-58, 84, 88, 127, 128°; rent 
by, for Blackfriars, 30', 45°, 57, 
178; suits at law by, 36*; expen- 
ditures by, at Blackfriars, 40, 89%, 
91, 92*, 126, 129; boards and lodges 
Children, 41, 71, 73-76, 103; re-° 
sides at Blackfriars, 41, 103; sur- 
renders lease of Blackfriars, 45°; 
grants to, for using Children as 
actors, 56, 71-72, 81-82, 99, 101, 
126, 127; unites with Gyles, 71- 
72, 73-76, 81, 128°, 152; as theat- 
rical proprietor, 77, 87-88; im- 
pressment of Children for, 77-80, 
81-82, 114, 126; Clifton’s charges 
against, 79-83, 85-86, 1137-144, 
126; Star Chamber decree against, 
81-83, 85-87°; effect of decree 
against, 83, 87-91, 93-94, 103, 115, 
159; assignment by, to Hawkins, 
85-86, 89-91, 93; circumvents de- 
cree, 85, 87-91, 103; articles of 
agreement by, with Kirkham et 
al., 85, 87-91, 10%; compelled to 
leave London, 87, 93°; “eight 
shillings” salary of, 88, 102°, 1037, 
125; agreement with Kirkham et 
al, to share profits and expenses 
at Blackfriars, 89°-90, 91, 927, 126, 
129. 
Every Man in his Humour. See 
Jonson. 
Every Man out of his Humour. See 
Jonson. 
Evidences, summary of, on Black- 
friars, 126-29. 
309 
