196 | CHILDREN OF THE CHAPEL AT BLACKFRIARS 
Evolution of Court-services of Chil- 
dren of Chapel, 5, 11, 68-70, 71, 
"3, 74. 
Evolved performances of Children 
at Blackfriars, 4-5. 
Expenditures at Blackfriars, agree- 
ment to share, 89'-90, 91, 92’; 
royal provisions for, 91- 92, 100, 
101-2, 103, 104, 106-7, 113, 126, 
127, 128-29, 173°-74, 175, 178-79'. 
Faery Pastorall, The. See Percy. 
Favor of Elizabeth to Blackfriars, 
94, 95, 96, 99, 126-29, &c. See 
Actors, Blackfriars, Children, 
Elizabeth, &c. 
Fletcher, John. See Beaumont. 
Ford, John, new-found play by, xv, 
164’. 
Fortune theatre, plat of, ix, 50-51; 
contract for, 7°-8, 29°, 42°, 42°, 45°, 
47°, 52", 137°; Thomas Platter on, 
7-8; Globe as model for, 7*-8, 
29*, 321, 39°, 47, 137; date of, 9%, 
29, 156; architecture of, 18°; cost 
of, 29; structure and finishing of, 
32', 42°; burned, and rebuilt with 
brick veneer, 34°; engraving of, 
347; size of, 39, 49°, 50-plat-51, 
52, 137; gentlemen’s rooms of, 42°, 
50-plat-51, 137-38; size of stage 
of, 45, 47, 50-plat-51, 137; sitting 
on the stage at, 45, 137-41; gal- 
leries in, 47°, 50-plat-51, 52; seats 
and capacity of, 49, 50-plat-52; 
audiences of, relative to stage, 50- 
plat-51, 52; gentlemen and yard- 
crowd of, 52; Duke of Stettin at, 
109°; Samson at, 109°; sitting 
“over” stage of, 136; orders 
against, revoked, 149-50, 161’; 
location of, 153*, 156; complaints 
against, 156; company of, re- 
tained but restricted by Elizabeth, 
155, 156; list of dramatists for, 
163°. See Blackfriars, Elizabeth, 
Globe, Theatre. 
Freiburg Stadttheater, stage-level 
gallery in, 42*; resemblance of, to 
Blackfriars, 42%. 
French theatre. See Theatre, in 
France. 
French Stage. See Stage, in France. 
Furniture, at Blackfriars, 91-92, 
101, 126, 127. 
G.-F. =Greenstreet’s transcripts, in 
310 
Fleay’s Stage, 36*, 36°, et pene 
Galleries, at Blackfriars, 6, 41-43, 
46, 50- ‘plat-51, 124; not at Paul’s” 
and Whitefriars, 7; at public the= 44 
atres, 7, 42°, 52; on stage-level, in- 
early and ‘modern theatres, 40%, 
52; in French theatres, 46-47; at 
Globe and sonne, 47’, 50-plat= 
D1 525 
“General pardon,” meaning of, 77% 
Gentleman Usher. See Chapman, 
Gentlemen, attendance of, at Black- 
friars and public. theatres. See 
Audiences. 
Gentlemen’s rooms, in public thes 4 
atres, 42°-43, 45, 49°, 50-plat-51, — 
134*, 136, 137"-38, 141; and ne 
yard- crowd, 52; in relation to gal- 
lants on the Stage, 44, 45, 134%, x 
1365° 137-41 aan private . theatres, — o 
141. See Blackfriars, Boxes, 2 
Lords’ rooms, “Orchestra.” = 
German actors, art of, 48*, 134°, _ q 
German theatre, sitting on the stage — 
of, xi, 46, 146-47; acting and stag- 
‘ing in, 48%, 134°; Duke of Stet- — 
tin’s, modeled after Blackfriars, — 
109- 12, 128; foundation for mod- 
ern, 110; English actors as 
founders of, 110°, 184'-85 ; patron- 
age of early English companies in, 
after English noble patronage, 
111. See Stage, Theatre. 
Globe theatre, new documents one ce 
ix-x, 10°, 34%, 44 451 56, 1932 a8 
as model for Fortune, 7-8, 208g 
32), 39), 24s AST = influence of 
Blackfriars on accommodations of, 
8, 35; date of, 8, 9°, 29, 34, 77%, a 
155; ’ Satiromastix at, ‘11, 158, 
181; architecture of, 18°; cost of, 
295 erection. 01,5 29, <5" 135-56; 
structure and finishing of, 3255 
burned, 33-34; date, materials, 
and cost of the new, 34; size of, ; 4 
36, 39, 52; sitting on the ‘stage of, 
45, 1344, 136-41; galleries in, 47°; 
capacity of, 49, 52; unhistorical 
stage of, 49", 137°: gentlemen and — 
the yard-crowd at, 52; gentlemen — 4 
and stage-gallants at, 45, 134%, 136, 
138; strictures in Hamlet at, an- E 
swered by May Day at Black- 
friars, 86, 168; Duke of Stettin ~ 
at, 108"; unknown play at, 108°; 
annexes’ Malcontent, 134; sitting “i 
= 
