‘over’ stage of, 136; orders 
against, revoked, 149'-50, 161°; 
location of, 153'; company of, .re- 
tained but restricted by Elizabeth, 
155, 156; connected with Essex 
conspiracy, 157, 160; Richard II 
at, 157, 160; list of dramatists for, 
163°; plays of, with local allu- 
sions, 164, 166; decency of plays 
at, 165. See Blackfriars, Eliza- 
beth, Fortune, Shakespeare, The- 
Peeatre: ; 
“Great Hall” or auditorium, of 
Blackfriars, 7, 36, 37, 38, 39, 40, 
41, 43, 49, 74; of Whitefriars, 7; 
' earliest use of, for play-acting, 
21-22, 23-24, 42°; rooms above, 
at Blackfriars, 40-41, and their 
4 uses, 41, 74, 128°. 
- Gull, the, subject of satire, 138°; 
- Davies on, 138°-39; Skialetheia 
2 on, 138°-39; Follie’s Anatomie on, 
138°-40; as pretended gallant, 139; 
The Guls Horne-Book on, 140°. 
_ Gyles, Nathaniel, commission to, to 
Seer take tp children, x, 17, 53, 57, 
60°62, 65, 66, 68, 70, 71, 73-74, 
77=83, 84, 99, 101, 102, 113, 114, 
126, 127, 152; and augmentation 
of Chapel salaries, 3°; not lessee 
of Blackfriars, 56°; biography of, 
58°; succeeds Hunnis, 58; privy 
seal and patent to, as Master of 
Chapel Children, 59°-60, 71, 74, 
77; allowances to, for keep of 
Children, 59°-60, 64", 73; commis- 
sion to, as Master at Windsor, 
68'; interpretation of commission 
¥ to take up children, in practice, 
: 70-72, 73-76, 77-83, 95-97, 106-7, 
"127, 152, 155-62, 175; effect of 
J Star Chamber decree on, 70-71, 
= 83, 127; unites with Evans, 71-72, 
mo 73-76, 81, 128", 152; Clifton’s 
: charge against, 77-83, 113°-14*, 
Be.) 126. 
$ Hamlet. See Shakespeare. 
Hawkins, Alexander, surety for 
‘rent of Blackfriars, 57, 90; as- 
signment of lease to, 85-86, 89-91; 
partner in Blackfriars manage- 
_ -ment, 88. See Evans, Kirkham. 
_. Heminges and Condell, on sitting 
§ on the stage, 136. 
Henrietta, Queen, attends theatre, 
97°. 
SUBJECT INDEX 
197 
Henry VII, and Master of the Chil- 
dren, 63; uses Children of Chapel 
as actors, 69. 
Henry VIII, dissolves monasteries, 
and grants Blackfriars to favor- 
ites, 20-21; residents of Black- 
friars under, 27; and Master of 
Children, 63; uses Children of 
Chapel as actors, 69. 
Henslowe, Philip, contract by, for 
Fortune, 7-8, 29; contract by, for 
Hope, 7°-8, 30; list of dramatists 
employed by, 163°; lost dramas of, 
with local allusions, 164; on Rose 
players in the country, 175°. 
History of children-companies, un- 
known, vii, viii. 
Histriomastix. See Marston. 
Hope theatre, contract for, 7°-8, 30°, 
$1; date of, 9°; cost of, 30, 33; 
size and capacity of, 30-31, 33, 
50': modeled on Swan, 30, 31*; 
engraving of, 32°; stage of, 33, 
45, 134, 138; document on uses 
of, 33°; location of, 33°, 153°; gen- 
tlemen’s rooms of, 42°; “orches- 
tra” of, 42°, 138. 
Hunnis, William, commission to, to 
take up children, x,.65, 66°, 70; 
death of, 58*; succeeded by Gyles 
as Master of Children of Chapel, 
58*, 128°. 
Imitations, of Blackfriars Children 
and offsprings, 1, 16, 117’, 121, 
163; of Blackfriars in Germany, 
109, 111; of English actors in 
Germany, 110°; of Court of Louis 
XIV, 111; of Blackfriars customs, 
130, 136, 141-47, 163; of Black- 
friars plays, 166-68; evidences of, 
incomplete, 166; by Blackfriars 
dramatists, 167-68. _ 
Impressment of children, under 
Elizabeth, x, 60'-62, 64°, 65°, 66’, 
67°; before Elizabeth, 62-64. See 
Commission. 
Interludia, at Blackfriars, and of 
modern drama, 9, 122. See Mu- 
sic, Singing. 
Intermezzos,. at» Blackfriars, and in 
modern drama, 9, 122. See Mu- 
sic, Singing. 
Internal evidences of plays, historic- 
al unsubstantiativeness of, 77-8, 
49") 1315 137% 167, 167% See 
Stage-directions. 
311 
