198 
Isle of Dogs. See Nash. 
Isle of Guls. See Day. 
Jack Drum’s Entertainment. See 
Marston. 
James I, masque within the play 
under, xii, 5, 113; children-com- 
panies under, 1, 5, 9, 12, 13, 15, 
16, 44-451, 74, 105, 110°, 113, 
117, 121, 163, 177%, 183; offends 
Scotland with choristers, 3; fu- 
neral of, 3; music and dancing in 
plays under, 5, 113; private the- 
atres under, 7, 8, 9°; suppresses 
Blackfriars children, 13, 44°°-45', 
177°; satirized by Blackfriars, iby 
163°, 177°-78; and building of new 
Globe, 34’; reduces Blackfriars to 
public-theatre level, 74, 183; state 
control of theatres under, 74, 148, 
183; Court-entertainments of, and 
Blackfriars influences, 123; re- 
vokes Elizabeth’s theatrical or- 
ders, 149*-50, 161°; contention of, 
with City over Blackfriars, 154°; 
as James VI of Scotland, patron- 
izes Fletcher’s actors, 175°. 
Jests at Blackfriars, in Byron trag- 
edies, 15, 44° 163; in Cynthia’s 
Revels, 132°, 165°; on my fine 
gentleman, 48°, 132°3> 933" 165 = 
INTs 
Jests to Make you Merry. See 
Dekker. 
ioral tS 
Jonson, Ben, in stage-quarrel, x-xi, 
xii, 133, 140, 158, 165-667, 168, 
1695%2, 178 -8is ranks or, Aeros 
dramatist for children- -companies, 
12 AT ATS in a e@allety’. vat 
Blackfriars, ait: jand “sallants in 
the lords’ rooms,” 41*; and Chap- 
man as writers of masques, 121’; 
Malcontent dedicated to, 172. 
Apologetical Dialogue, reply 
to Satiromastix, 171. 
Case is Altered, The, ear- 
liest play at Blackfriars, 58; act- 
ors required in, 75°; evidences in, 
of singing, 114*; music, 116'; 
dancing, 118; satirizes “public” 
theatres and their audiences, 176°. 
Cynthia’s Revels, on bugle- 
blast at opening of play, 11°; on 
music and tiring-house at Black- 
ifiats,* 48"; “actors ‘in, 75°76" 
CHILDREN OF THE CHAPEL AT BLACKFRIARS 
2 
132°; masque in, and Queen’s re- 
quirements at Blackfriars, 97, — 
122'; evidences in, of singing, | 
1144: music, 116’; dancing, 118% 
masque within, 119; on sitting on i 
Stage, 132°; on atidiences, 165; 
satirizes Marston and Dekker, 
170; satirized in What you Will, 
171; satirizes “public” theatres, 
176°. ee 
Devil is an Ass, The, on | 
sitting on the stage, 142°, x 
and children-act=§ ‘ 
Epicoene, 
ors, 12: 
Every Man in his Humour, 
and stage-quarrel, 170. 
Every Man out of his Hu- 
mour, on sitting on the stage, 
“i 
132°; on Marston, .170; plagiarized x 
by Dekker et al., 170 
Page of ‘Plymouth, 
Dekker, 170. 
Poetaster, on bugle- blast at. 
with 
opening of play, 11’; satirized in 
Satiromastix, 41*, 133, 171; actors 
in, 75°)-76°; ‘evidences in, of sing- — 
ing, 114!; music, 116'; dancing, 
i masque within, 119; satir- 
izes ’ Dekker, 133 ; Dekker's late 
reference t0;31337-" on audiences, 
165-66. 3 
Robert II King of Scots, 
with Dekker, 170. 
See Blackfriars, 
quarrel. 
Jonson- Marston-Dekker, quarrel of, 
X-xi, ‘xii, 133; 140, 158, 165-667, 
168, 169- 72, 178-81. 
Plays, 
Killigrew. See 
grew. 
Kirkham, Edward, suits at law by, 
367, 89— 91; provides apparel for 
Children, 83, 98-100, 103-4, 126; 
articles by, with Evans et al., 85, 
87-91, 102; as Yeoman of the 
Revels, S74, 89", 99, 101, 103-4; as 
important factor at Blackfriars, 
Sie’ unreliability of testimony of, 
89'; “the said complainant,” 98- 
100. 
Kirkham, Rastell, and Kendall, ar- 
ticles of agreement by, with Ey- 
ans, 85, 87°-91; new partners with 
Evans at Blackfriars, 87, 102, 103- 
4; agreement of, to share. profits 
312 
Siege ce. 
D’ Avenant-Killi- =a 
