oo 
oy 
-. 
Light. 
Local allusions. 
and expenses at Blackfriars, 89°- 
90, 91, 92°, 126, 129; carry out 
Bncen's will, 113, Tale 
_ Kirkman’s Drolls, picture of Red 
Bull from, 7-8. 
“Law, against strolling players, 150, 
152°, 175°; against criticism in 
stage-plays, 164, 176, 181”. 
2 Lease of Blackfriars, to Shakespeare 
and fellows, 10, 34°, 35, 44°°, 45°, 
56°; to Evans, 17, 40, 56}, 57-58, 
84, 88, 127, 128°; ‘date ‘oh eal oeea Ug 
35, 44°, 57, 84; amount ‘for, 45, 
BT: surety ‘and bond for, 157, 8st, 
90; term of, 57, 84; assignment 
of, to Hawkins, 85-86, 89°. 
See Candle. 
See Plays. 
London. See City. 
London social centre, at Blackfriars, 
7, 35-36, 43, 45, 48°, 51, 95-97; 
and otheretheatres, 51, 161. 
Lord Mayor. See City. 
Lords’ rooms, at Blackfriars, 6, 41°- 
43, 49, 50-plat-51, 124, 140, 141. 
_ Lyly, John, Campaspe and Sapho 
and Phao, at Blackfriars, 24. 
BeMiaintenarice of Children at Black- 
friars, by the Queen, x, 3, 4, 40, 
71, 73-76, 91-92, 95, 98-104, 105, 
106—1,. 126, 127, 128529; 178-82); 
expenditures for, x, 5, 91-92, 100, 
101', 103, 104, 126, 127, 128-29, 
178. 
Malcontent, The. See Marston. 
Marston, John, in stage-quarrel, x- 
xi, xii, 169-72, 178-81; as writer 
of masques, 121; as Blackfriars 
‘poet, 171. 
Antonio and Mellida, 
stage-quarrel, 170. 
Antonio’s Revenge, 
- stage-quarrel, 170. 
Dutch Courtezan, The, on 
galleries at Blackfriars, 42; actors 
required in, 75°; evidences in, of 
singing, 114*; music, 116’; danc- 
ing, 118°; masque within, 120; and 
stage-quarrel, 171. 
Histriomastix, songs in, 10; 
touches Jonson, 169; jibed at by 
Jonson, 170. 
Jack Drum’s Entertainment, 
and stage-quarrel, 171. 
and 
and 
SUBJECT INDEX 
199 
on music 
Malcontent, The, 
in theatres, 10', 116°; actors re- 
quired in, 75°; evidences in, of 
singing, 114*; music, 116'; danc- 
ing, 118°; masque within, 121; an- 
nexed by Globe, 134; on sitting 
on the stage, 134%, 138; at Black- 
friars and Globe, 134; and stage- 
quarrel, 171; dedicated to Jonson, 
172. 
Scourge of Villainy, The, 
glances at Jonson, 169; jibed at 
by Jonson, 170. 
What You Will, on size of 
Paul’s stage, 43, 130; evidences 
in, of singing, 114*; music, 116°; 
dancing, 118°; on sitting on the 
stage, 130-31; satirizes Cynthia’s 
Revels, 171. | 
Marston, Chapman, Jonson, East- 
ward Ho, indiscretions of, 15. 
Masque, within the play, at Black- 
friars. 2 xs, Kat, 5, AOS, 44.8 97a 1935 
114, 119-21, 122-24, 163, 167; in- 
fluences of, xi, 123, 167; under 
Elizabeth, xi, xii, 5, 10*, 44, 114, 
119-21, 122-24, 163, 167; under 
James I, xii, 5, 113; character of, 
119; Bacchanalian features in, 
119°; as new dramatic feature, 
119, 122-23; list of, at Blackfriars, 
119-21; origin of, 122°; elaborate 
requirements of, 123-24. 
with antimasque, 10*. 
at Court, 22; ° 118-19; 
1227, 
123: 
Master of the Revels, and origin of 
private theatre, 6; Cawarden as, 
21; the first, 21°; Blackfriars as 
office of, 21-22; Whitefriars as 
office: .of,;' 22"; Tilney ~as;> 224 
87*, 101; Buck as, 87*; duties of, 
100'; accounts of, 101; Queen’s 
order to, 155. 
May Day. See Chapman. 
Messalina picture of theatre-inte- 
Hore ia 
Middleton, Thomas, Roaring Girl, 
The, on sitting on the stage, 137. 
Model of theatre, Blackfriars as, ix, 
8-9, 18°, 35, 36%, 36°, 39%, 43°, 141, 
151, 163; Globe ase 8, 294, 32, 
39°, 477, 137: Swan as, 30, 314 
Monopoly. See Theatrical. 
Monsieur D’Olive. See Chapman. 
Morris dance, 118. 
313 
