202 
“Public” and “private” theatres dif- 
ferentiated, 9, 12, 156-57, 161’, 
65 ZGs. 
Publications on children-companies, 
Vil, Xil. 
Puritanism, opposition of, to Eliza- 
beth’s theatrical purposes, 4, 79, 
j26, 149, 150, 159; in Clifton’s 
attack, 126, 150, 159; not cause 
of orders against theatres, 148- 
50, 156. 
Purposes, theatrical, of Elizabeth, 
1, 4, 71, 87, 96, 112, 113, 125, 127, 
128°, 129, 148-62, 150°, 151°, 152, 
154, 157, 159, 175. 
Queen. See Elizabeth, Henrietta. 
Realism, influence of Blackfriars 
plays on, 167. 
Red Bull theatre, picture of, 7°-8, 
52, 135, 138; date of, 9°; audience 
of, in relation to stage, 52; sitting 
“over” stage at, 135; sitting on 
the stage at, 138. 
Reformation of theatres, Elizabeth’s 
plans and purposes in, 1, 4, 71, 87, 
96, 112, 113, 125, 127, 128°, 129, 
148-62, 150°, 151°, 152, 154, 157, 
159, 175; methods of, by City, 
150-51, 153; methods of, by Eiiz- 
abeth, 150°-51°, 152-58; 154-55; 
duplicity of City In; 2515 25a, 159, 
160, 161-62. 
Relations, of children-companies to 
dramatic and histrionic art, vii, 
Vill, ~ix, Xii,-15-9, 12, 13,°14-15, 16; 
105, 122, 141, 147, 180°; of audi- 
ences to stage, 1x, 50-plat-51, 52; 
of Blackfriars to other theatres, 
poets, and players, x-xi, xii, 133, 
140, 158, 165-66", 167, 168, 169-72, 
178-81; of gentlemen to yard- 
crowd, 52; of Der Beslrafte Bru- 
dermord to Hamlet, 184". 
Rent, repairs, and _expenses at 
Blackfriars, provisions for, 57, 
89°, 89", 91-92, 100, 101'-2, 103, 
104, 106-7, 113, 126, 127, 128-29, 
173°-74, 175. 
Rental of Blackfriars, amount of, 
by” Evans;:.230*)- 45°. = 57 17a 
,amount of, by Shakespeare and 
associates, 45°; agreement by Ev- 
ans, Kirkham et al. to share, 89"- 
90, 91, 92°, 126, 129. 
316 
CHILDREN OF THE CHAPEL AT BLACKFRIARS 
Kepertoire. of Children at Blac 
friars, viii, 5, 75, 122. "as 
Revels. See Children of, Master of. » 
“Revels” festival, meaning of, 6. 
Richard II, at Globe, in Essex con- — 
spiracy, 157, 160. 
Richard III, commission by, to take 
up children, 62°; reign and death - 
of, 627-63. , 
Roaring Girl, The. See Middleton. — 
Robert II King of Scots. See Jon- 
son. 
Rose theatre, date of, 9°, 138; archi- — 
tecture of, 18°; cost of, 30; rental 
value of, 30’; sitting on stage of sm 
138 ; location of, 153°3 restrained, 
155, 181°; Worcester’s men at, go 
into country, 175": Wy 
Rossiter, Philip, lutenist, and man- — 
ager of the Children of the Rev- a 
els to the Queen at Whitefriars, — 
117°; theatre of, in Blackfriars 3 
precinct, suppressed, 154°, 161°, — 
1617-62. - 
Rowley, William, new-found play — 
by, xv, 164’. a 
Roxana picture of theatre-interior, — 
7°; on sitting “over” stage, 135. 
Salisbury Court theatre, as private 
theatre, 9, 130°; date of, 9°; music 
atoalOne modeled after Blackfriars, 
18°, 36, 39%, 43°, 141; size of, 36, © 
39°, 43°, 141; documents concern-_ : 
ing, 36°, 39°: stage of, 43-43°; 
Queen Henrietta at; 97°: sitting a 
on stage of, 130, 141; location ofan 
153°. 
Sapho and Phao. See Lyly. 
Satiromastix. See Dekker. 4 
School, the, in evolution of private 
theatre, 5°. ; “ 
Scourge of Villainy, The. See — 
Marston. 
Seating capacity. See Capacity. 2 
Seats, at Blackfriars, 6, 49°, 50- 
plat-51, 52; general comfort of, 
in theatres, 8, 34-35, 35’, 50-51, 
51°, 52; at public theatres, 7, 136; 
prices of, at Blackfriars and vari- 
ous theatres, 1127-13. 
Secular uses of Children of Chapel, 
1; origin of, 5. See Blackfriars, 
Children, Elizabeth. 
Shakespeare, William, new docu- 
