206 CHILDREN OF THE CHAPEL AT BLACKFRIARS 
LYaming of the Shrew. See Shake- 
speare. 
Theatre, the, as a native instinct in- 
stitutionalized, 5'-6; as centre of 
social contact, 51, 95, 161; Puri- 
tan opposition to, 79, 149. 
Theatre, Chapel Royal as, 4’. 
Theatre, to “erect” or “set up” a, 
meaning of, 128%. 
“Theatre, The,” date of, 9°, 17'; not 
first English theatre, 17°; archi- 
tecture of, 18°; cost of, 28-29; 
demolition of, 28°-29, 77°, 155; un- 
historical stage of, 49, 137°; 
whether to be supplanted by 
Blackfriars, 54, 128°, 152; orders 
regulating, 148°; opposition to, 
149°; City’s request to suppress, 
152-53 ; location. of, 153°: 
Theatre, private, sources of, 5-6, 
125 characteristics Of, 5x1, 185-35, 
43-49, 50-plat-51, 141-42; as fac- 
tor in the drama, 5*, 12; admis- 
sion price of, 6, 36, 112, 112°, 177; 
Blackfriars as, of first impor- 
tance, 6, 18, 163; Master of Rev- 
els in relation to origin of, 6; 
galleries in, 6, 7, 41*-43, 46, 50- 
plat-51; gentlemen’s or lords’ 
rooms Of, 6, 41°) 41°42, 42°, .50— 
plat-51, 124, 140’, 141; only chil- 
dren-companies occupy, 7; list of, 
7, 130°, 136; accommodations for 
comfort of audiences in, 8, 34-35, 
35°, 50-51, 51°, 52; influences of, 
on theatre-structures, 8-9, 18°, 35, 
36, 39°, 43°, 141; differentiated 
from “public” theatre, 9, 12, 156- 
57, 161°; music and singing as fea- 
tures of, 9-10, 122; becomes 
“public? in performances, 9; 
whether “small,” 35, 38-39, 50- 
plat-51; stage-structure of, 42, 43, 
45, 46, 47, 141; stages of, 43-47, 
50-plat-51, 141; sitting on the 
stage of, 43, 44, 46, 47, 48", 50- 
Plats5i,* 527 194° 7130; “86. iam 
140, 141; 142; capacity of, 47, 49, 
50-plat-51, 52; unhistorical stage 
of, 49", 137°; location of, 1537. 
See Blackfriars, Cockpit, Paul’s, , 
Salisbury, Whitefriars. 
public, relations of audience 
of, to stage, ix, 50-plat-51, 52; 
admission price at, comparative 
view of, ix, 6, 1127; plebeian ori- 
320 
gin of, 7; chatacresenes of, ae, 
Gig 42°, 44-49, 50-plat-51, 52, 137 
38; galleries In, T;.42'5 B25 stages. 
Of, <7, 33,"4B. 4dy* 4c "46, 47, 49°, 
50-plat-51, 52, 1344, 1365, 136-41; 
seats in, 7, 136; structural fea-— 
tures of, 7, 18°; sources of infor-_ 
mation on, 7-8; provisions for 
comfort in, 8, 34— 35, 35, 50-51, J 
517,525 influences of Blackfriars” 
on, 8, 9, 18°, 35, 141; becomes 
“private” in form, 8, 9, 18°; dif-— 
ferentiated from ‘ ‘private,” 9, 12, . 
156-57, ~ 161°, 1657, 2176": lack ot 
music in, 9, 10-11, 116°, 1225 
compared with Blackfriars in pre- 
tentiousness, 28-35; capacity of, 
30-31", 33, 49; 50-plat-31, 51°, beg 
materials of, 31255825 ae 347s 
stage-level gallery in, 42%, 42°, 52; 
gentlemen’s rooms in, 42% 63, 45, 
49", 50-plat-51, 1344, 136, 137°-88, 
141; “orchestra” of, "42°-43, 45, 50- 
plat-51, 137°-38; sitting on stage 
of, 44, 45, 139°) 136-4 gentle- 
men’s rooms of, in relation to 
stage-gallants, 44, 45, 134%, 136, 
137=413 unhistorical stages of, 4959 
ABs relative positions of gentle- 
men to yard-crowd of, 50-plat- — 
51, 52; capacity of, compared with 
modern, 50°; noble patronage of, — 
as model for German patronag 
111; unfriendliness of, to Eliza- 
beth, 129, 157, 148-62, 16S; silting — 
“over” stage of, 134-36; Eliza-— 
beth’s plans and purposes for, 129, 
148-62, 175; state control of, Eliz- 
abeth to Victoria, 148; City’s re- 
quests to suppress, 149, 152, 154, © 
155, 156, 160; official orders — 
against, 149, 153, 156, 157-58, 160, A 
161 1627: City neglects Queen's — 
orders against, 149, 153, 154, 155, — 
156, 161, 1612-62; City's method — 
of reformation of, 150-51, 153; — 
Elizabeth’s. method of reforma- 
tion of, 150°-51°, 152-58; 154-55 a 
alliance of, against Blackfriars, 
151, 153-55, 156-57, 158-62, 168; 
Elizabeth’s law on noble patron- — 
age of, 152, 152°, 175°; location of, — 
1537; results of Queen’s attitude 
toward, 155, 156-57, 158, 159, 163-9 
72, 175-82; Globe and Fortune — 
companies retained but restricted 
