32 Bernice P. Bishop Museum — Bulletin 



C. Back view of a leg with motives from Ua Pou, the buttock pattern being 

 present. 



PlATF, XXXIII. A LEG PATTERN FOR MEN. 



Detailed study of Plate XXXII, A: kohe la (a, h, and c), kea (h), mata io (c), 

 puto'o (<l), kautupa (e), fatiiia (f), pahito with po'i'i inset (g), hikuhiku atu (h), pahito 

 (i and j), auhoi (k), tapu vae (k and I). 



Plate XXXIV. — A leg pattern for men. 



Detailed study of motives on Plate XXXII, B: kohe la (a and b) ; puto'o (c) ; 

 pahito with mata hoata, ka'akc, and tiki insets (d) ; mata vaho, the half oval; pua hue 

 (e) ; fatina (f) ; pahito with po'i'i and ka'ake insets (g); paka oto (h, i, j); hikuhiku 

 atu (k); pahito, with mata and ka'ake insets (I), tapu vae (m). 



Plate XXXV. — A leg pattern for men. 



A detailed study of the motives of Plate XXXII, C: kohe ta (a and h) ; tifa (c), 

 containing a mata hoata, cnata, and a kea in the center at the bottom ; puto'o (d); 

 pahito (e) ; fatina with elaborate double rows of cross-barred teeth inset (f); pahito 

 (g) ! paka (h), in place of the usual hikuhiku atu; pahito (i) ; tapu vae (j); auhoi (k). 



Plate XXXVI. — A leg pattern For men. 



An elaborated pattern of the Hiva Oa style found at Ua Huka : kohe tine (a-c), 

 complicated by two meta io (b and c), puto'o, lightened by a mata io inset (d), pahito 

 broken by a ka'ake and a po'i'i inset (fj. 



Plate XXXVII. — A leg pattern for men. 



A more complicated pattern from Hiva Oa, rendered almost as lacclike as those 

 for women by the numerous fine-line insets in the heavy patches : puto'o (a, b, c,) with 

 insets of cross-barred teeth, double rows of (I'^i, and a vai o Kena; pahito with mata 

 hoata, ka'ake, and po'i'i insets (d) ; fatina with mata inset (e); pahito with po'i'i and 

 ka'ake insets (f); hikuhiku atu (g) with flourishes at the points; pahito (h), whose 

 simple lines are almost lost in the elaborate insets of vai o Kena and mata. 



Plate XXXVIII. — Leg motives for men. 



A. Kohe ta from Fatu Hiva. 



B. A thigh pattern from Nuku Hiva (after a sketch by E. S. Handy) : mata (a), 



hue ao (b). 



C. Two bands for the foot : pia'otiu and kakao. 



D. An inside knee motive, mata vaho, from Fatu Hiva. 



E. and F. Ankle bone decorations, auhoi. 



G. An ankle band from Fatu Hiva: Tapu vae (a); hikuhiku atu (b); pahito with 



ka'ake, mata io, and tiki insets (c). 

 H. An elaborated pahito from Fatu Hiva with ka'ake, cnata, and mata io insets. 



