Vol. V, No. 7.] Saptagrama or Satganw. 247 
[N.S.] 
ATS aw i.c., “the Ghazi’s axe moves but does not fall.” In the 
mosque itself four images have been stuck in the wall between the 
mihrabs (Pl. II1I1). Three of these bear inscriptions on their backs 
while the fourth is an image of Visnu recognisable by the gada 
back. 
which is to be seen through a hole at its bac The temple 
Triveni was most p a Vais- 
Buddhist ruins. nava temple as the descriptive labels 
show, but traces of Jainism and Bud- 
pilaster set in a recess. rther examination revealed that this 
ase i en the corner of a rectangular piece of 
sculpture. These figures face the south. On he western face 
e fi 
relic of pre-Mahomedan Saptagraéma was found inside the room 
which now stands on the site of the ancient Mandupa ‘of the 
Jai j temple. The inscription ot Ruknuddin 
: ane FOHOS. Barbak Shah of H. 860, has been incised 
on the back of the lower portion of an image of Parévanatha, the 
that this inscription was incised on the 
an image of Siryya. The legs wear top-boots and on the 
arrows. To the left of the image stands ama 
in hand, probably SanaiScara (Saturn), and to the right another 
male figure with an ink-pot and a pen in his ands.! 
pound of the Dargah I found fragments of an 1mage. On putting 
these together it was found that the pieces are from an image of 
! Cf. Agnipurana (Bib. Ind.) 
wane saan aeaieTayea | 
ashsaaeant feast J zfew |} 
amg farat eift <Gaq FIAT | 
qeasayifcat wa ust g fae 
Chap. 51, verse 1-2. 
