356 Journal of the Asiatic Society of Bengal. [October, 1909. 
(7) Setting the hands of the musicians to different instruments. 
(8) Concert of stringed and other musical instruments. (9) Keep- 
he manager in enter- i i 
ing the stage. wo'companions, one with a Bhrigara 
should advance five steps with a view to worship Brahma. At 
the centre of the stage Brahma is supposed to be always present. 
Then he is to turn round the stage, keeping to the right as 
TAS Haatqt, fesrfar: si wat | 
fa ata F cat, fad atareara @ | 
ASAE wary eat aqua | 
waTeAt Aes vlad aaATTH | 
Uy VaRaya Cee BWA, 
TMRAAS TT wT vag awTfaa: | 
TIA TSE wRigrfs sasara | 
saat waar fast Tai Zaat sfa 
ag should be eight or twelve sentence 
s. 
the end of each sentence, the companions are to say, 
wa wary 
he instruments are to sound a note with eight 
with nine long and six short and again three long 
was to indicate that the verse in honour of 
have now to be read. That verse is now to 
Then t 
pauses, and 
aks . is 
jarjara would 
~ 
