LIST OF IVORY CARVERS 



501 



Heermann, Paul. Sculptor. Born in 

 1673; died in 1732. Flourished in 

 Leipzig and Dresden. No certain 

 works. 



Heiden (Hetde), Marcus. Of Coburg. 

 Called in 1638 to Weimar by Duke 

 Wilhelm IV (d. 1662). Turnery cups. 



Henke, Peter. Worked for Duke August 

 Wilhelm of Brunswick (1714-1731). 

 Relief of Assumption of Virgin Mary 

 in a private collection. 



Hennegut, "L' Amour Aveugle," in Mu- 

 see Galliera, 1903. 



Hentsten, Joachim. Seventeenth century. 

 Portrait in relief of a man, dated 1633, 

 in Konigliches Museum, Berlin. 



Hepp, Esais. In the service of the Elec- 

 tor of Brandenburg from 1660, as 

 worker in tortoise-shell, ivory, silver, 

 etc. 



Herrlinger, Edward. Of Dresden. 



Herz, Benedict. Died in Nuremberg 

 in 1635. Crucifixes and figures. 



Heschler, David. Second half of seven- 

 teenth centm-y in Ulm. Group of Her- 

 cules and Antaeus in Cassel Museum 

 signed D H B 1635 may be by him. 



Hesin, . Lute dated 1886 in Exhi- 

 bition of Musical Instruments in Lon- 

 don in 1885. 



Hess, Paul. Of Bamberg; resided long 

 in Brussels and then settled in Vienna 

 in 1780; died there in 1798. Bracelets, 

 rings, and box covers with landscape 

 designs. He usually worked with a 

 magnifying glass, the little trees and 

 figures being sometimes glued upon 

 the background, which has a hght blue 

 tint. 



Hess, Sebastian, of Vienna. Work simi- 

 lar to that of Paul Hess. 



Heu, , of Dieppe school, eighteenth 



to nineteenth century. 



HiRSCHWALD, , of Munich. Statu- 

 ettes, amorettes, ladies and gentle- 

 men in Rococo costume. 



HocHECKER, Servatius, of Frankfort; 

 eighteenth century. 



Hooker, Samuel R. B. 1835; d. 1896. 



Hooker, George F., son of above. B. 1879. 



Hollander, Jan. Seventeenth century. 

 Cup with bacchanalian design in the 

 Rosenborg Collection, Copenhagen. 



HoLzscHUER, G. Amateur of Nuremberg. 

 Ratsherr (Councillor). 



HoosEMANS, F. Of Brussels. Fine fans 

 and lamps; two specimens in the 

 Konigl. Kunstgewerbe Museum in 

 Berlin, after models by Rombaux; of 



ivory, combined with silver gilt and 

 yellow onyx. 



HoRNUNG. Born in Suabian Hall in the 

 seventeenth century. Noted for his 

 cups carved with hunting or battle 

 scenes; there is also a gun carved with 

 hunting and mythological designs in 

 the Ambraser Collection. 



HuBER, , of Vienna. 



HuGGENBUG, SEBASTIAN. Sculptor and 

 medallist of Brunswick; end of seven- 

 teenth century. Crucifix in Johannis- 

 kirche in WolfenbUttel. 



HuRDTER, JoHANN Ulrich. From Switz- 

 erland. Pupil of Heschler in Ulm. 

 Settled there, where he was still living 

 in 1675. Reliefs and tankards. No 

 certain work of his now known. 



Jaillot, Hubert. Of St. Claude (dept. 

 Jura). 



Jaillot, Simon. Elder brother of Hubert 

 Jaillot. Died in 1681. Crucifix in 

 the Hopital de St. Germain des Pres, 

 Paris. Was received into the Acad- 

 emy as a "sculptor of ivory cruci- 

 fixes," a proof how highly this branch 

 of art was then esteemed. 



Jauivier. Exhibited group, "Bear and 

 Rabbits," in Musee Galliera, 1903. 



Jespers, E., of Belgium. Exhibited in 

 Brussels Exposition of 1897, "Love 

 disarmed by Psyche." 



JoREL Sr. Exhibited in Musee Galliera, 

 1903. 



JoREL, Alfred. Born in Paris. Pupil of 

 Carlus. Exhibited in Salon, 1908, 

 "Le Retour," statuette of mahogany 

 and ivory. 



JoRHAN, Christian, the Elder. Sculptor. 

 Born at Griesbach in Lower Bavaria 

 in 1733; died at Landhut, Bavaria, in 

 1807. Studied at the Augsburg Acad- 

 emy and with Straub. 



JuLiEN, Paul. A Christ in Musee Gal- 

 liera, 1903. 



Kalamis. Made ivory and gold statue of 

 Asklepios in Sikyon. 



Kaldenberg, Fritz J. B. New York, 1 855. 

 Executed in 1896 for Li Hung Chang 

 a combination group, Li Hung Chang, 

 Bismarck and Gladstone. Busts of 

 Rembrandt, and U. S. Grant, and a 

 bust of Mignon. 



Kallicrates. Sculptor, and ivory and 

 metal worker of Lacedsemon. Exe- 

 cuted microscopically small objects, 

 tradition telling of a quadriga that 



