ANDERSEN.—New Zealand and other Bird-song. 769 
in (1) c. A variation not so often heard was (2), where the vocalization 
was Esther how. Neither the pitch nor the vocalization of the call of the 
quail agrees with that given by Schubert in “ Der Wachtelschlag " (^ The 
' HRDSRISEXIMEVRC а TERE 
A SE. PREM) CLS A 
16? 7 шш 
PL EE elegant 
Es- ther ge E 
Quail-ery "), nor with that given by Beethoven in his song bearing] the 
same name. Schubert gives the pitch usually as E, Beethoven as B, and 
both vocalize the notes as Fürchte Gott, the notes in both instances being 
БЕГ 
In the variant (1) с there is a slight approach to this. Beethoven uses the 
same notes in his “ Pastoral Symphony,” but they are there pitched on D. 
Tugusm (Turdus musicus). 
' ч i home 
till isi hen I left for the town before 9 a.m. ; while I was at 
ce me rik when I returned between 5 and 6 p.m., there he sat 
| notes over and over. On my way to the town this 
25—Trans. 
