THE CABINET OF NATURAL HIS 



The writer of Natural History should be guided by- 

 truth in all of his descriptions, carefully avoiding every 

 thing to which he was not an eye-witness, or that cannot 

 be established by the most indubitable testimony; and 

 leave nothing to fancy, or the workings of an enthu- 

 siastic imagination. It is only by the impress of truth, 

 that the mind receives essential benefit, and the more 

 perfect mankind become in the knowledge of animals of 

 the inferior world, the better are they enabled to appre- 

 ciate their own exalted being. 



There is much to admire, not only in the Beaver, but 

 in all other inferior animals; but our admiration should 

 not be extended to the creature so much, as to the great 

 Original who governs them in their actions in a sphere 

 far above their consciousness. 



Although the Beaver exhibits much sagacity, and cer- 

 ' tainly immense labour and perseverance, in the construc- 

 tion of clams and habitations, and forethought for winter 

 provision, — yet we see the same power operating on 

 many other animals, on a scale equal, if not superior. 

 What do we see more to admire than the nidification of 

 birds? This instinctive provision for their young, is ac- 

 commodated by the parent birds to every place- and cir- 

 cumstance, and, built of the most simple materials, their 

 little nests defy the art of man to imitate them. 



" Mark it well ; within, without : 



No tool had they that wrought, no knife to cut, 

 No nail to fix, no bodkin to insert, 

 No glue to join ; their little beaks were all ; 

 And yet how neatly finished. What nice hands, 

 And twenty years' apprenticeship to boot, 

 Could make me such another V 



The wonderful mechanism of the spider's web, — the 

 wariness and certainty which that insect displays in en- 

 trappingits victim, — and thewholeeconomy of the honey- 

 bee, have been regarded as so many wonders of the natu- 

 ral world. But are all these guided by any other power 

 than that of pure instinct ? Certainly not, as regards 

 their consciousness. 



In regard to the nature of instinct, it may be said, that 

 the mind is too often led astray by wrong objects — or by 

 forming a wrong basis for argument. For instance, we 

 sometimes see a departure from the regular laws of instinct 

 in animals around us, — as in the elephant, the horse, the 

 dogj &c. In these are frequently exhibited apparent sa- 

 gacity, memory, discernment, and other reasonable ope- 

 rations. But before we conclude from this, that the brute 

 creation possess intellectual properties, we should inquire, 

 what effect has the influence of man, or domestication, on 

 them from which we would found our argument ? It is 



to these, am 

 recourse is a 

 reason as we 

 ject to dome; 

 to draw that 

 originally ii 

 comforts anc 

 their instinc 1 

 influence an 

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 we are tolc 

 all beasts tl 

 that the inte 

 measure by 

 often produc 

 ishing and v 



Aside froi 

 his influence 

 necessity, vi 

 only to ansv 

 signed in a 

 which creal 

 plans of ne< 

 though the} 

 rior intellig 

 this excitinj 

 of their labc 

 tions. 



Under th 

 belong to tl 

 sessing mor 

 world. Tl 

 they produ iilts 



wrong view 

 Instances n 



moral or perfect, in an abstract sense, than those per- 

 formed by human creatures; but we cannot for a moment 

 admit that these are efforts of their own consciousness, un- 

 less we place them in a scale of moral excellence superior 

 to man. But these actions are only apparently moral, as 

 regards their conception, and not really so; for these ani- 

 mals are not capable of appreciating the excellence of their 

 acts, nor to decide of their superiority over those of other 

 brutes. Intelligence, moral actions, and science, there- 

 fore, are not objective to brutes, but are exercised on their 

 natures by a governing power, above their perception or 

 consciousness. 



Having made these prefatory remarks, the history of 

 the Beaver, in the form of a parallel, will be given, the 

 authentic on one side, and the discarded or fabulous on 

 the other. 



