SCIENCE- GOSSIP. 



THE "WESTBY" SERIES 



OF 



SEASCAPE PHOTOGRAPHS. 



(PERMANENT CARBON.) 



The Art Journal: Extract from the Paper on "Picture 

 Photography." — " It would be difficult to praise too highly the 

 success with which the effect of moving, heaving water has been 

 rendered in the superb composition ' Roll on, thou deep and dark- 

 blue Ocean, roll ! ' . . . Mr. Worsley-Benison's sea composi- 

 tions are triumphs of artistic arrangement." 



The Royal Societies' Ladies' Conversazione : From The 

 Times Report. — " Mr. Worsley-Benison's series of seascape 

 photographs . . . were magnificent examples of photographic art." 



Extract from Mr. Gleeson White's Paper, " The Sea, as Mr. 

 Worsley-Benison Photographs it," in The Photogram, January, 

 1898. — " One doubts if any pictures of English scenery would re- 

 awaken the peculiar memories of fields and dales so vividly as 

 these photograms awaken memories of the sea. Indeed, it is very 

 hard to remember that it is Mr. Worsley-Benison's skilful records 

 which should be the text of this discourse ; you forget his share as 

 you study them, and think not of a pictured ocean, but of the real 

 entity itself. For, oddly enough, it is always the sea one finds, 

 never a sea. . . . To confess that one is entirely captivated by the 

 literal truth of Mr. Worsley-Benison's really beautiful work is 

 perhaps in a way the finest compliment you could pay him. To 

 own how admirably he has chosen the spot to pitch his camera, 

 and the moment to expose his plate : to discuss the admirable 

 development of his pictures, those harmonious skies and accessories, 

 their artistic ' placing ' within a given space, seems almost imper- 

 tinent after owning he has made criticism appear secondary by the 

 sheer beauty of truth." 



Knowledge. — Extract from the Paper on " The Artistic Study 

 of Waves," by Mr. Vaughan Cornish, M.Sc. — "Mr. Worsley- 

 Benison's ' Westby ' series of Photographs are the finest studies 

 with which I am acquainted. There is no sea-painter, however 

 skilful, who would not find much to repay him in the careful study 

 of such photographs. Above all, the foam is rendered as no painter 

 ever rendered it ; not merely the thin film of foam of which I have 

 already spoken, but the thick white froth of the breaker line, which 

 looks by daylight like whipped cream, but by moonlight is changed 

 to molten silver." 



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