ACCOUNTS, &C., OF THE URITISH MUSEUR?. 45 



Eleven portraits and groups of portraits executed in lithography by M. Charles 

 Baugniet. These render complete the series of his works which he presented to the 

 department, bound in twelve volumes, in 1877. Presented by himself. 



" L'Incendie," an etching by Professor Alphouse Legros, in a state not described in 

 Malassis's Catalogue; touched on by the artist. Presented by M. Gueraut. 



Fifteen etchings and woodcuts executed by Mr. William Bidgood, Curator of the 

 Taunton Museum, Presented by himself. 



.Reproductions from three early prints in the Kupferstichcabinet at Berlin, namely: — 

 the unique impression of the Flagellation, by the master of 1446 ; the copy by Marc 

 Antonio of the figure of Christ on the title to Diirer's small set of '■ The Passion ;" and 

 an anonymous Italian print of the fifteenth century, representing a young lady in profile. 

 Presented by Dr. Frederick Lippmann. 



By Purchase : — 



Italian Scliool ; 4:60 Examples : — 



X)rati7V,><75. — Head of a man in a turban, by Federico Barocci, in crayons ; and Diana 

 and her nymphs reposing, by Francesco Zucarelli, In tempera. Both from the Anderdon 

 Collection. 



Etcldngs. — By Paolo Filocami, A. Piccinni, Bartolommeo Pinelli, and Giambattista 

 Piranesi. 



Engravings. — A rare and undescribed example of the early Florentine school, from 

 which Marco da Ravenna copied his " Trois animaux dans un oval," described in Bartsch's 

 " Peintre-Graveur," vol. xiv.. No. 405. 



The Sliepherd and Nymph, a scarce print by Marc Antonio Rairaondi ; and a fine 

 impression of his " Fa9ade aux Cariatldes." 



The Judgment of Solomon, a rare work by Ccsare Reverdino. 



An interesting series of portraits of artists of all countries, 353 in number, engraved in 

 mezzotinto by Carlo Lasiulo, from the collection of paintings in the Royal Gallery at 

 Florence ; all the plates are printed in colours, and in most cases finished by hand ; and 

 the set, which is quite complete. Is bound in three volumes. 



Sonjc fine proofs by modern enjjravers, including the Presentation in the Temple, after 

 Fra Bartolommeo, by Antonio Pei'fetti, in three states ; the Madonna and Child, after 

 Raflfaellc, by Perfetti, also in three states ; and the Magdalen, after Carlo Dolci, by Glovita 

 Garavaglia, in two states. 



Others by Pletro Anderloni, Pletro Bettelini, the Master of the Die, Giovanni 

 Francesco Mucci, Carlo Antonio Porporati, Lulgi Schlavonetti, and Antonio Maria 

 Zanetti. 



German School ; 363 Examples : — ■ 



Drawings. — The adoration of the Magi, by Albrecht Altdorfer; drawn with the brush 

 on paper prepared with body colour ; an interesting example in good preservation. 



EtchiJigs. — A set of twenty plates of grotesque ornamentation ; by Chrlstojih Jam- 

 nitzer. 



Others by Johann Christoph Erhard, Christian Ludwig von Hagedorn, Ludwig Hart- 

 mann, Nicolaus Haublein, Johann Adam Klein, F. L. Meyer, Ernst Mohn, and Johann 

 Baptist Scheffer. 



Engravings. — Seven curious coloured metal cuts of the latter half of the fifteenth 

 century ; pasted In the covers of a MS. work on theology of that period. 



A design for a reliquary, an interesting specimen of goldsmiths' work, by Israhel von 

 Meckenen; also by the same artist, " Saint Clara " (B. 126), and " Children Playing' 

 (B. 188), the latter In an early undescribed state. 



An undescribed print of Saint Barbara, of a period somewhat later than I. van 

 Meckenen. 



A font In a church, by Albrecht Altdorfer (B. 59) ; a fine example of his skill in wood 

 engraving. 



St. John the Evangelist, by Franz von Bocholt (B. 9); from the Drugulin sale. 



Some fine proofs by Jakob Felslng. 



Others by Samuel Amsler, Johann Friedrich Bause, Hans Sebald Beham, J. 

 Bui-ger, Daniel Nicolaus Chodowiecki, Johann Friedrich Clemens, Albrecht Diirer, 

 L. Friedrich, Wenzel Hollar, T. Kohlschein, Georg Friedrich Schmidt, Virgil Soils, 

 C. Willmann, and Friedrich ZImmermann. 



Dutch and Flemish Schools; 531 Examples: — 



Drawings. — Six most Interesting designs for glass painting, representing the History 

 of Joshua, by Cornells Engelbrechtsen, the master of Lukas van Leyden. 



Examples of great historical Interest by Wlllem van de Veldc and Jan Anton Lan- 

 gendyk. 



A view of Oxford, by Snellincks, an artist who resided in England In the middle of 

 the seventeenth century. 



Others by Gerard van Battem, Koeland Roghman, and Jan van der Vinne. 



207 — Sess. 2. H Etchings.^ 



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