﻿92 
  NEW 
  YORK 
  STATE 
  MUSEUM 
  

  

  others. 
  Fig-, 
  no 
  is 
  a 
  smaller 
  and 
  simpler 
  form, 
  almost 
  identicat 
  

   with 
  the 
  English 
  one 
  mentioned 
  except 
  in 
  material. 
  Like 
  that, 
  it 
  

   has 
  a 
  curved 
  base, 
  and 
  the 
  sun 
  and 
  moon 
  between 
  this 
  and 
  the 
  

   square. 
  Another 
  interesting 
  thing 
  in 
  connection 
  with 
  this 
  is 
  men- 
  

   tioned 
  by 
  Mrs 
  Converse. 
  She 
  said: 
  "It 
  was 
  given 
  me 
  by 
  the 
  

   grandson 
  of 
  Red 
  Jacket. 
  It 
  proved 
  from 
  that 
  Red 
  Jacket 
  was 
  a 
  

   Mason, 
  and 
  wore 
  this 
  brooch 
  for 
  pass. 
  In 
  further 
  investigation, 
  

   while 
  working 
  at 
  the 
  Red 
  Jacket 
  monument 
  at 
  Buffalo, 
  I 
  heard 
  of 
  a 
  

   man 
  who 
  had 
  sat 
  in 
  a 
  lodge 
  with 
  the 
  great 
  Sa-go-ye-wat-ha." 
  The 
  

   brooch 
  hardly 
  proves 
  this, 
  the 
  other 
  evidence 
  is 
  hearsay, 
  but, 
  if 
  Red 
  

   Jacket 
  was 
  a 
  member 
  of 
  the 
  craft, 
  it 
  would 
  appear 
  on 
  some 
  of 
  its- 
  

   records. 
  He 
  was 
  too 
  well 
  known 
  to 
  be 
  easily 
  overlooked 
  in 
  such 
  a 
  

   matter. 
  

  

  Fig. 
  113 
  is 
  smaller 
  and 
  less 
  elegant, 
  but 
  has 
  the 
  same 
  features 
  

   in 
  a 
  more 
  conventional 
  way. 
  Fig. 
  117 
  is 
  larger 
  and 
  more 
  elaborate. 
  

   Fig. 
  119 
  is 
  one 
  of 
  the 
  simplest 
  forms, 
  having 
  but 
  two 
  apertures,, 
  

   but 
  these 
  are 
  large. 
  The 
  surface 
  is 
  covered 
  with 
  tracery. 
  Fig. 
  120 
  

   is 
  quite 
  conventional, 
  but 
  the 
  leading 
  features 
  of 
  other 
  forms 
  are 
  

   readily 
  detected. 
  Fig. 
  126 
  is 
  simple, 
  with 
  but 
  little 
  surface 
  decora- 
  

   tion. 
  

  

  Fig. 
  109 
  is 
  a 
  Seneca 
  brooch, 
  differing 
  from 
  some 
  other 
  elaborate 
  

   ones 
  only 
  in 
  minor 
  details. 
  This 
  has 
  six 
  bosses, 
  which 
  are 
  smaller 
  

   than 
  in 
  most 
  others. 
  This 
  and 
  the 
  next 
  are 
  in 
  the 
  Richmond 
  collec- 
  

   tion. 
  Fig. 
  114 
  is 
  a 
  large 
  and 
  quite 
  frequent 
  form 
  with 
  many 
  acces- 
  

   sories. 
  By 
  omitting 
  the 
  outside 
  loops 
  the 
  design 
  would 
  become 
  

   much 
  like 
  those 
  of 
  a 
  simpler 
  and 
  more 
  distinct 
  character, 
  a 
  fact: 
  

   easily 
  tested. 
  Fig. 
  106 
  shows 
  a 
  fine 
  example 
  from 
  the 
  Tusearora 
  

   reservation, 
  having 
  15 
  large 
  and 
  small 
  bosses. 
  On 
  either 
  side, 
  at 
  

   the 
  top 
  are 
  angular 
  projections, 
  terminating 
  in 
  embossed 
  ends.. 
  

   These 
  adjuncts 
  belong 
  to 
  several. 
  Fig. 
  in 
  is 
  in 
  the 
  Richmond, 
  

   collection, 
  and 
  presents 
  the 
  feature 
  mentioned 
  in 
  a 
  less 
  common, 
  

   way. 
  

  

  Fig. 
  116 
  is 
  in 
  the 
  Buffalo 
  collection, 
  and 
  is 
  one 
  of 
  the 
  rarest 
  of 
  

   these 
  small 
  forms, 
  as 
  well 
  as 
  one 
  of 
  the 
  most 
  beautiful. 
  Did 
  'it 
  

   stand 
  alone, 
  its 
  character 
  might 
  not 
  be 
  understood, 
  but 
  in 
  a 
  series 
  

   this 
  is 
  evident. 
  The 
  base 
  has 
  a 
  border 
  of 
  small 
  bosses, 
  except 
  

   in 
  the 
  middle, 
  and 
  the 
  lateral 
  projecting 
  points 
  at 
  the 
  top 
  are 
  ter- 
  

   minated 
  by 
  others. 
  The 
  tracery 
  adds 
  some 
  peculiar 
  features 
  to 
  the 
  

   design. 
  

  

  