i4 H. W. Poole on Perfect Harmony, etc. 
Examples in Fingering Chords on the Enharmonic Key-board. 
a 6 ¢ d e 
T = I T 
<——l a a  e  — e 
ee eee 
S434 2 ees 3 a eee 
+ + + 
+41. 382 1 
+ a+ 
ide 
+e 
& 
to another. The base will be easily supplied by the musician, who will also ob- 
serve the similarity between this fingering, and that of the common key-board 
25. The chords given belong in part to the triple, and in part 
to the double diatonic scales, or more properly speaking, those 
octave of twelve keys. The student who would follow Haydn's 
advice will find m 
ee 
notes accurately to something. And I would not be un 
ten Pheer al 
or 1 € principles; 1 have met with notable instances where 
Musi- 
