﻿Vol. 
  2] 
  

  

  ARCHEOLOGY 
  OF 
  CENTRAL 
  ANDES 
  — 
  BENNETT 
  

  

  107 
  

  

  Some 
  subdivision 
  of 
  Recuay 
  ceramics 
  into 
  two 
  or 
  more 
  periods 
  has 
  

   been 
  suggested. 
  Tello 
  (1929) 
  divides 
  the 
  ceramics 
  into 
  an 
  archaic, 
  

   simple 
  style, 
  including 
  small 
  monochrome 
  open 
  bowls, 
  jars, 
  and 
  tripod 
  

   vessels, 
  and 
  a 
  classic 
  Recuay 
  which 
  includes 
  the 
  more 
  characteristic 
  

   positive- 
  and 
  negative-painted 
  pieces. 
  Kroeber 
  (1926) 
  proposes 
  a 
  

   Recuay-A 
  style, 
  which 
  includes 
  the 
  more 
  elaborately 
  painted 
  pieces, 
  

   and 
  a 
  Recuay-B, 
  which 
  emphasizes 
  modeling 
  and 
  positive 
  painting. 
  

   Excavation 
  evidence 
  may 
  ultimately 
  confirm 
  these 
  divisions. 
  

  

  a 
  ^ 
  b 
  

  

  Figure 
  7. 
  — 
  Recuay 
  style 
  pottery 
  from 
  Callej6n 
  de 
  Huaylas. 
  (Redrawn 
  from 
  

  

  Tello, 
  1929, 
  figs. 
  54, 
  55.) 
  

  

  Figure 
  8. 
  — 
  Recuay 
  style 
  pottery 
  from 
  Callej6n 
  de 
  Huaylas. 
  (Redrawn 
  from 
  

  

  Tello, 
  1929, 
  figs. 
  56, 
  57.) 
  

  

  