96 ITS FAME IN SONG, 
IV. 
When all aloud the wind doth blow, 
And coughing drowns the parson’s saw, 
And birds sit brooding in the snow, 
And Marian’s nose looks red and raw ; 
When roasted crabs hiss in the bowl, 
Then nightly sings the staring owl, 
To-who ; 
Tu-whit, to-who, a merry note, 
While greasy Joan doth keel the pot.” 
Nor do we forget Ariel’s song in The Temipest (Act v. 
Sc. 1I)— 
“ Where the bee sucks, there lurk I; 
In a cowslip’s bell I lie, 
There I couch when owls do cry.” 
Amongst the fairies, at least, the owl seems to have found 
friends, and is generally represented as a companion in 
their moonlight gambols :— 
“This is the fairy land!—O, spite of spites !— 
We talk with goblins, owls, and elvish sprites.” 
Comedy of Errors, Act ii. Sc. 2. 
The folio of 1623 omits “elvish,” but the folio of 1632 
has “elves,” which Rowe changed to “ elvish.” 
The following quotation we have some hesitation in 
introducing, for there appears to be a difference of reading, 
which quite alters the sense :— 
