CEMETERY ENTRANCE 
symmetrically upon this axis. However if one will now consider 
the problem of making an attractive photograph of this entrance 
(that is of determining its pictorial value and its best point of view) 
SEAT r/ 
c—_IF 
S F & €£€ E T 
os ( os 
Fig. 23. Pian or Cemetery ENTRANCE 
he will soon discover that this entire grouping is more effective 
when viewed from an angle than when photographed straight in 
front. This problem thus brings out one of the radical differences 
between formal and informal design. 
59 
