NaBO. 



Record ]SrC.S9 a, 



^** A 



Songs of the Co-pper Eskimos 



139 



& . at 'b ' ' c d 



i--yaiya - i yai ydiit- qa-YACdy-I^Y'i^ nu-riAY-y" - ^'- i h-kit-paktat-ksi arp-o-ticai'.-i 



e f o a A'' 



c^At-c|4<^-ci-cun;n4iTi-ak i yAi v^-iy^i y* I yai ya-i ya- lyaiyd-t ya- lya-l ya 





rtST 



d ' a' ' o' 4' c" c^ 



t yv i yA kuy-yu-a- y-lu pinp-ul-ti . i-ma uk-pi-liy-'fu qa kic- i-yay-lu u-mluoj 



E 



^i/i/i/i^T/iU^tI'1/ i /i/i/i/ 



■*4r 



■ f ■ 



^ 



4. > i; ];■ 1/ 0- i; i;* \.a.w^ 



±z 



uc-urtj-naa-ci-ay- vik 



bZ/iT/JYJU 



i-coq-tDy-lu L-coc|-tuVu - a, 



tna-flvpcay-vik mam-^a-Tay- viy - "iu 



Si 



^ 



t. . . o 



I yai ya- 1 yai ya - t yai ya- 



3Jfcjtaln 



he' Vie' 



V. 1. 



Refrain 



V. 2. 



Refrain 



Phrases 



i: 



No. 30. Record IV. C. 59a 

 No tonality established 



li 



C- 



a 

 2 

 c 

 3 

 f 

 3 



3 

 h 



4 

 fi 

 3 



b 

 3 

 e 



H 



ai 

 3 



a^ 



3 



Conn. 



n 



a' c^ c' 



3 3 4 



h^ h^ el 



5 3i 2 



g^ - - 

 2 



The plan of the song is the same as usual. The tune begins on the last half 

 of the next to the last beat in the measure. If one might consider the tonality 

 Bb major with a flat seventh then the first tone is on the third degree. In that 

 case the end of the song, according to the end of the first refrain, would be on 

 the second degree. Compare this song with the next. Both have the same 

 words and are evidently meant to be the same song, and illustrate very 

 slearly the difference between a good and bad singer. 



