310 



No.S5. 

 I?ecorclE:C.43c. 



Canadian Arctic Expedition. 1913-18 



Cf.No96»ndNaioi. 



Ikpakhu&qjd'Puivtvc) man. 



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i^jiin- yoc| kicuma qftin - yoa kitu-rn* qain - yoi Ki-aima«)-ac]»iii- YOplfl-w-manj e 



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ye qaw - yOQ kioi-wa qatn • yoq ki-cuma c]ain-yoq ki-cu-manj-aqam-Yoq ki-cu-ma|p-i 



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ye ci- voA(r)4iaa-in-Yoa (jait- qo-ya-tin u-vi- St-qo-v>u-tin qain-yoq ki-curnaoje 



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ye qain - yoq ktcu-ma aain - voq ki-cu-ma qain - ycq kii-cu-macpaqAin- Yoqkt-cu-mao) e 



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biy, i ^ Ifl I" ^ I" P ' lai^ r i: r 





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ye ci- voanj-raqin-yoq qait - qoya-tiri u-vi dt-qo-vtM-tinc|ain-Yoq ki-cu-ma<T) e 



^'.^K• II 



ye. 



No. 95. Recokd IV. C. 43c 

 Eb major tonality 



Measvires Beats 

 5 37 



b c d e- 

 9 8 7 5 



b c d e^- 5 37 



9 8 7 4 



g (g^ di) e- 5 31 



7 6 7 4 

 a b c d el- 5 37 



8 9 8 7 4 

 B f f g (gi d'O e- 5 30 



6 7 6 7 3 

 Note the change to triplet rhythms in the B phrases. This is one of three 

 versions of the same song, Nos. 95, 96 and 101. A close comparison of the music 

 and the analyses is recommended. Observe in this example how the different 

 A phrases each contain 37 beats although the order of beats in their measures 

 is different. 



The song begins on the final beat of the measure, on the third degree and 

 closes on the second, which plays a prominent part throughout, and w^hich 

 seems to be the resting place or general level of the tune. 



