354 



Canadian Arctic Expedition, 1913-18 



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ya ye ye -yaof)- e y^'A-A«n-e ye^ y« yft-& e ya^tp-c e yM^-eyd^a^e yA 



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ya ya\-aifrj-e ye ya yatyj-e ya e ya e ye ya-atn-e yaiyae jwnj-e yaeya 



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ya arp-e ya yeya-aop-e- ya e ya e- 



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No. 122. Record IV. D. 7c 

 C major tonality 



In the matter of phrases the above form seems rather vague and the melody 

 wandering, but close examination proves this to be a very interesting little speci- 

 men. The B phrase begins with an exact sequence of the A, a fifth higher, and 

 then develops an answering section in measure e, and returns to the measure 

 first given out in the A phrase, on which the sequence was modelled. This 

 return is elaborated through the short C phrase while in D again there is a. 

 beginning almost like that in the A phrase with a totally new turn which includes 

 a dip far below the tonic in a striking answering phrase. E takes up in another 

 form the melody of A and B, especially their opening half measures and the 

 final full measures of B, and thus gives an artistic finish to the whole, but with 

 the end on the second degree, both novel and not unpleasing. The song begins 

 on the first beat of the measure, with the tonic. Its rhythmic pattern is decided 

 and vigorous, for the dotted eighth and sixteenth notes with which the measurs* 

 often end, followed by the long, even, two-beat notes at the beginning of the ne^S 

 measure, tend to lend positiveness to the movement. The speed is greater than 

 for any of the dance songs from the Copper Eskimo. 



