374 



Canadian Arctic Expedition, 1913-18 



Refrain 

 pt. 1. 



Phrases 

 C" 



V. 2. pt. 1. 



Refrain 

 proper 



Refrain 

 pt. 1. 



Refrain 

 proper 



Refrain 



proper { D 



[E" 



1b" 



Refrain C" ' 



pt. 1. 



D' 



/E"' 

 V. 2. pt. 2. 



B" " 



C" 



D" 



d" fi g3 g5 g* h^ 

 2i 2 2 2i 2 2 



Conn. 



d5. d« d«- 

 2 2 2 



di 

 2 



f§ g2 h i j gi« d' d«- 

 22222222 



ext. Conn. 



Conn. 



ggdi" d^- 

 2i 3 2 



2 



d^ di di2 di e 



2 2 1| 2 2 



Coda 



g5 d^ X 

 2 2 2 



d^ d^- 

 2 2 



d^ d* 

 2 2 



diUalt.) fHalt.)g^ ki d< d^^ 

 3 2 2 3 2 2 



di f§ g2 



2 2 2 



Conn, f di2 d^ d^- 



\ H 2 2 



h h* ggigS d' d^- 

 2 2 2 2 2 2 



ext. Conn, f g' d' x 



12 2 2 



g' h^ g« 

 2 2 2 

 di d' d^ 



di 



2 



di 



Conn. 



e 



2 



Coda 



d6 

 2 



d^- 

 2 



d' 

 2 



d^ 

 2 



di»(alt.)fi(alt.)g' ki d^ d^^ 

 3 2 2 3 2 2 



Measures Beats 



Conn. 



d=-d« d^- 

 2 2 2 



di f5 g2 h h* ggig5 d' d^- 

 222222222 



6 



13 



18 



94 



14 



18 



6 14 



3 6 



9 18 



The analysis of this extremely complicated song was very difficult to obtain 

 especially as the text was of little help. In addition to the play in pitch on the 

 seventh degree, for the song is probably in A major or a close approximation to 

 it, the structure added to the difficulties. The prelude is normal for a pisik, 

 with only one peculiarity which is the little coda, used not only here but at the 

 end of every verse part. ' 



The refrain is the most peculiar in structure of any that have been analyzed|>* 

 The first part is separated from the main section by a distinct connectiv"^^ 

 which, however, seems to belong more closely to the main section than the 



