The Moelwyn Garden 
white peach-leaved bell-flower, Campanula persicifola 
Moerheimi, and cloudy blue Violas. Beyond, through 
a rose-covered arch, the eye travels on to the lawn, and 
in the distance to the herbaceous border illustrated 
opposite page 107. 
The reverse of this view from the dining-room is 
also illustrated, in which it will be seen that the 
house is to some extent divided from the garden by 
a series of arches, on one of which a hybrid of the 
‘“‘ Cherokee ’’’ Rose, Sinica anemone, is flowering pro- 
fusely, as it would always do in such a position, facing 
almost due south. A glorious mass of Vitis Coignetiz 
also fills this end of the garden with an autumn glow of 
brilliant foliage. By referring to the plan it will be 
seen that these Rose arches are placed so that, 
although they divide a little paved court from the 
garden, they do not in any way shade the house 
sufficiently to make the dining-room dull, and that the 
openings are so arranged that there is an uninterrupted 
view from the house to the garden. 
To those to whom the idea of a bird-path appeals— 
and it does to most garden-loving people—there is a 
pretty suggestion in the arrangement of one in the 
illustration. Just a semicircle added to the width 
of the path, with the line of the border carried nearly 
round it, and a flowery recess is created in which the 
bird-path is obviously well placed. 
The rock garden, quite a modest affair as rock gar- 
dens go, was a development of the idea that the garden 
as originally arranged was too rigidly square. More- 
over, a rock garden was desired, and there was really 
only one place for it, the one chosen. It was created 
108 
