xii BLACK AND WHITE ILLUSTRATIONS IN VOL. II 



4:w. 



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TITLE. 



Gwas' Ngishu Masai (bowmen) . ... 



Pastoral Masai (warriors) of Naivasha 



Enjamusi (Nyarusi) agricultural Masai 



A Masai warrior (Naivasha) . . . . 



A Masai warrior (Naivasha) . . ... 



Tattooing round a Masai woman's eyes 



!Masai elder with fur cape 



IVlasai woman of Naivasha ..... 



Young ilasai women. (One of them is about to marry, 



so she is having iron wire coiled round her legs) 

 Masai matron ... . . 



Houses of the pastoral Masai .... 

 Houses of the agricultural Masai (Enjiimusi) 

 A village of the agricultural Masai (Enjiimusi) . 

 Masai catt'e, Nakuro . 

 Masai sheep and goats . 

 Masai sheep . 

 Masai donkeys 

 Spears of Masai warriors. (Some of the men are playing 



the game of draughts, illustrated on p. 795) . 

 A Masai warrior with long spear 

 Bows of Gwas' Ngishu Masai , 



Warriors of the Gwas' Ngishu Masai . 

 Masai shields 

 Masai warriors 



Masai chief and medicine man (the late Terere) 



A Masai forge and blacksmith (EnjAmusi) 



Karamojo people 



A Karamojo woman 



A Karamojo woman 



Turkana and Suk men from the vicinity of the Ribo Hills 



and the River Kerio 

 A Suk from near Lake Sugota 

 A Suk chignon 

 Two tall Suk elders 

 A Suk chief from north of Baringo 

 A group of Suk (showing tattooing on arms) 



Ostrich egg and antelope "knuckle-bone' 

 Turkana, River Kerio 



A Suk stool 



A Turkana shield . 



Suk dancing . 

 Suk dancing . 



Suk about to dance, 

 upper lip) 



A dance of the Suk people. 



the air) 

 Elgumi people (sometimes called Wamia) 

 An Andorobo man of the Hamitic type 

 Two Andorobo of the Hamitic type 

 An Andorobo of the Pygmy type 

 An Andorobo (same as No. 481) 

 A Nandi 



(Photograph by the Edin-^ 

 necklace : J hurgh Museum of Science \ 

 I and Art, from Author's C 

 l collection J 



A Drawing by Mr. Doggett 

 (Photograph hy the Edin- 

 J burgh Museum of Science 

 \ and Art, from. Author's 

 I. collectimi 

 Photograph hy the Author 



(Note the lip-ring in one man's 

 (Note the figures jumping in 



847 



848 



850 



851 

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853 



