AUTHENTIC LIKENESSES 399 



wood engraving, brought out by M. P.-A. Cap, 

 in Le Musevmi D'Histoire NaturelU, p. 175, 

 Paris, 1854 : a better reproduction, by the same 

 process, was given in Scribner's Magazine, vol. 

 xiii, p. 275 (see "Audubon's Story of his 

 Youth," by Maria R. Audubon, Bibl. No, 40), 

 in 1893. 

 The original daguerreotype was finally discovered in the 

 collections at the National Museum, at Washington, where it 

 had been deposited by Mrs. Elizabeth Berthoud Grimshaw, a 

 daughter of Mrs. Nicholas Berthoud, and niece of Mrs. Audu- 

 bon; it was again published by Dr. R. W. Shufeldt, and Miss 

 M. R. Audubon, in 1894 (see "The Last Portrait of Audubon," 

 Bibl. No. 196). According to the writers just cited, the da- 

 guerreotype was formerly in possession of Mrs. Gordon, a sis- 

 ter of Mrs. J. J. Audubon, who gave it to the present owner. 



20. 1850 ( .''). — ^A daguerreotype, representing Audubon as he 



appeared at the close of his career; original in 

 possession of Miss Mary Eliza Audubon ; for 

 reproduction see Audubon and Ms Journals, 

 vol. i, p. 74, and Vol. II, p. 280, of the present 

 work. As to the probable date of this picture, 

 see the preceding notice. 



21. 1851, — Death mask; profile from original, since de- 



stroyed by fire, reproduced in Scribner's Maga- 

 zine, vol. xiii, by Maria R. Audubon (Bibl. No. 

 40), March, 1893. 



22. 1851. — Profile of head; pencil sketch, after death, made 



by John W. Audubon; reproduced by Maria 

 R. Audubon, Audubon and his Journals, vol. ii, 

 p. 59.6. 



23. 1861. — Oil portrait by Alonzo Chappel, engraved on steel 



for Duyckinck's National Portrait Gallery of 



