28 



HORSES AND MOVEMENT 





Ac fcroeA* 



Rough diagrams are given of these six pictures for 

 those who cannot refer to the originals. The light and 

 shade is left out and the emphatic parts of the pattern 

 are translated into line. 



They do not claim to be accurate, being only rapid 

 sketches from small reproductions, yet they make, I 

 think, the characteristic difference of the two groups 

 sufficiently evident. 



The reader will remember that it was suggested that 

 he should look at certain pictures upside down in order 

 to observe the pattern for itself. Some of these dia- 



grams — he will easily detect which — are reproduced 

 upside down the better to illustrate the principle of 

 effect inherent in mere pattern. 



Such differences are fundamental and are true to 

 nature, being based upon what we see and experience 

 every day. To test the visible repose of vertical and 

 horizontal in nature tilt the picture frames and notice 

 the restless effect that is immediately produced. You 

 can't stand at an angle, nor can you push or pull as long 

 as you remain upright. To push a thing you must lean 

 towards it, else the thrust of your arms will push you 



