COMPOSITION. 



COTTON MANUFACTURE. 



Plate 

 XVI, Fig. 12. Part of Nooth's Ditto enlarged 



1 6. Pneumatic Trough 



17. Supporter 



18. Eudiometer Tubes 



19. Mercurial Trough 



20. Glafs Jar 



21. Iron Ring Supporter 



22. Volta's Eudiometer 



23. Evaporating Veffel 



24. Mattrafs 



25. Proof Glafs 



26. Precipitating Glafs 



27. Gas Bottle 



28. MufFel 



29. 30. Crucible 



31, 32. Crucible Stands 



33. Cupel 



34. Separatory Funnel 



35. Iron Retort 

 XVII. Laboratory- 

 Fig. 9. Apparatus for the Abforption of 



Gafes 

 13, 14. Simphiied Gafometer 

 15. Pepys's Gafometer 

 XVIII. XIX. {No Plates ofthefe Numbers) 



XX. Fig. I — 3. Apparatus for the Diftillation of 

 Pyrohgneous Acid 

 XXI. Fig. I. Hope's Eudiometer 



{Referred to as Plate X.fg. I.) 



2. Pepys's (or Davy's) Improvement of 



Volta's Eudiometer 

 ( Referred to as Plate X. fg. 2. ) 



3. Gay LufTac and Thenard's Apparatus 



4. Berzelius's Apparatus for the Analyfis 



of Organic Subftances 



5. Dr. Wollafton's Scale of Chemical 



Equivalents. 



CHIARO-SCURO. 

 {See Composition, Plate II.) 



CHIMNEY-SWEEPING. 

 {See Miscellany, Plate II.) 



CLOUDS. 



I. No. I. Cirrus in different Forms 



2. Cirro Stratus fubfiding on Cumuli 



beneath 



3. Cirrus as feen before Thunder 



4. Cirro Cumulus as feen before Thunder 



5. A Nimbus flanked by Cirro Stratus, and 



giving an eleftrical Difcharge 



6. A Range of Cumuli paffing to Cumulo 



Strati before Thunder 

 II. No. I, 2. Cirro Stratus 



3. Cirrus paffing to Cirro Cumulus 



4. Cirro Stratus, Cumulus, and Cumulo 



Stratus, grouped 



COMPOSITION. 

 I. Fig. I. The " Battle of the Standard," by 

 Lionardo da Vinci 



Plate 



I. Fig. 3. The « Creation of Man," the " Tranf- 

 greffion at the Tree of Knowledge," 

 and " the Expulfion from Paradife," 

 — Frefcoes of Michelangelo in the 

 Seftine Chapel 



4. " Groups of the Lafl Judgment," by 



the fame Mafter in the fame Chapel 

 II. 2. « The Cartoon of Pifa," (or, accor-- 



ding to Vafari, its chief Group,) by 

 Michelangelo 



5. " Paul preaching at Athens," from 



the Cartoon of Raffaele at Hampton 

 Court 



6. " The Group from the AfTumption of 



the Madonna," in the Cupola of the 

 Duomo at Parma, Correggio 



Chlaro-scuro. 



1. The fimple Principles of Chiaro-Scuro 



illuftrated 



2. The Conduft of Correggio in the Dif- 



tribution of his MafTes of Light and 

 Shade exemplified in one of his Com- 

 pofitions in the Duomo at Parma 



3. An Example from Rubens 



4' Rembrandt 



CONICS. 

 I. Fig. I. Ambigenal 

 2, 3. Afymptote 

 4 — 10. Cone 

 {The reference to truncated cone, _yff . %.Jhouldbe 



">fs- 9-) 

 12. No. 2. {Seefg. 3.) 

 20. Abfciffe {Seejg. 2.) 

 31, 32. Axis (See Geometry, Plate IX. Jg. 



5.6.) 

 33. Afymptote {The figure thus referred lo 



is in Geometry, Plate IX. Jig. 4. ) 

 II. Fig. I — 9. Conic Seftions ; lines harmonically 



divided 

 10 — 14. Conic Surfaces 



III. Fig. 15 — 23. Seftions 



IV. Fig. 24 — 31. Ditto 



V. Fig. 31, 32. Axis {See Geometry, Plate IX. 

 A- 5. 6.) 

 32 — 43. Conic Seftions 

 VI. Fig. 44 — 55. Seftions 

 VII.VIIL Fig. 1—13. Ellipfe 

 VIII. IX. Fig. 14—26. Ditto 



X. Fig. I — 12. Hyperbola 

 XI. Fig. 13 — 21. Ditto 

 XII. Fig. 1 — 16. Parabola 



COTTON MANUFACTURE. 



I. Fig. I — 6. Calico Printing 



II. Fig. I — 5. Batting Machine 



III. Fig. I — 5. Deviling 



IV. Fig. I — 4. Carding Machine 



V. Fig. I — 4. Drawing Frame 

 VI. Fig. 1,2. Roving Can Frame 



3, 4. Winding Block 

 {The number has been omitted on this plate.) 

 VII. Roving Frame 



Horizontal Plan of the Machine called 

 the Double Speeder 

 4S 2 



