CVYCLOPZDI4: 
ae 
ae Ps Le SAE TRE | " 
wa : rae 
at ng theatres. has the 
ure fome- Teglinany: 
her im, by which he improves _ 
imeare of the oreheftra grant ine 
fo * that at his return to the choir he gains 
t Menges! or 
were molt € 
complaint, but which was never quit 
_Upon the total lofs of his sek 
of his swith co ee to ft 
difficult compofe poate he began a fugue in four parts; — 
reverfed th fj and afterwards oo a full anthem 
of threds an 
uite cured. 
and the precarious ftate 
fition, 
pane daring, heard ae it was 
—_— from. pina without i in- 
venting a figle bar : the fester pio ge ‘ 
all eo: who feacke t rd 
: d indulgent. matter i in counter 
ye | hofe m 
acai timid Sitiis under fevere mafters. — 
celebrated organift of St. Peter’s church at. Leige, was 
inftruéter; who began by oie common ped and 
its inverfions; the chord of the to the 6th fie monet 
ae XVII. 
‘Strahan and Prefion, 
New. Street- Square, Lomlon. 
I or anthem, ng gat TRO ; D 
af on ee 
OR, A NEW is eae 
UNIVERSAL DICTIONARY 
i 
then the regle de l’ofave. Thefe were eels in two ea 
time. He afterwards gave him riage es, in a figured 
of exceptions, eight rules for the ufe of difcords ded 
from the 7th, in a MS. of which he has long lamented the 
lofs. His mafter ftopped him on the chord of the extreme 
flat 7th, to fhew him that any one note of that chord might 
be made the 7th of another key. (See ENnnARMONIC 
chord.) Here follows an eloge of his mafter’s kindnefs, can- 
credit dour, and enthufialtic intereft hich he took in his improve- 
mmends_ to all matters a 
acq 
not only render their inftructions impreffive but ‘eligi 
And without the talent of attaching the {cholar, and makin: 
him love his bufinefs and his matter, “tudi ei is ays 
Gretry grew paffionately fond of his dies, as much ° 
pleafe his mafter ° he hg rae 
matter a mafs w he had juft 
foftly ! pe fays M. Moree) “you run too ‘fal 
eturning: 
but without a the young ete his {core without looking. at it; he 
emibreves 
bea e down on a flip r five or fix 
“‘ Write,’”’ fays he, “a treble to this be and fhew it me 
“to-morrow 3 but, above all, attempt no more mafies.” “I 
went from him. a little — faying to ony fl my father 
' thin. firft mafter too indulgent. 
cd with three 
2 : Bi 2 7 . 
Ket Facies againft note to this bale.” re 
7 fity. I hada “hioulatid! me 
ay coat bap ay sate, 
