FRENCH. oenOt 
‘itpleal to find here a 
vings, than we were at that 
time able to furnith, beginning with the portraits and other 
pieces which he engr raved after his own pictures and seks 
Pope Clement TX. Andreas Argolus, S. Marci Eques, 
in quarto. Samuel de Sorbiere, (a man of letters,) enpraven 
at Rone in 1667. Henri Arnaud, bifhop of Angier. Fa- 
ther Benedi&t Langecis, a capuchin. one du Quefnoy, 
yle 
“3 
4 
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ui 
nding figures, and he high two genii holding 
a fcroll, with the wrords « Louis le Grand,” 7 a frontifpiece, 
in final folio, dated 1680 
ter Italian matters. s, we find the ae fubjects in 
folio, and for the moit part very large ; e Filial Piety 
of JEneas,’’ after idtur Damaichin formerly in 
the cabinet of the French ig. performed with the graver 
only, and fomewhat harfh in its 5 chiaro-fcuro. «© The fte- 
Charles * de eae reprefent ing J ultice, ‘Temperance, 
Prudence and ene after the fame, in ae r plates, en- 
graven at Rome in 1675. ‘ The Gift of Tongues,’”’ and 
« St. Paul preaching at Athens,” alter Pietro da Cortona, 
two friezes on the fame plate. 
the hiftory of AEneas, e 
a aferies. The pa allery painted by the fame eat at the 
ce of the aan Sachetti, and engra e 
Aen after Annibal Carracci. « T Darden of 
St. Sebaftian,”’ after a painting . Carracci formerly in the 
pofleffion of the French kin e Temptation of St. 
Oly Byte for the Borgel gallery by Annibal Car- 
raccl. y fles difcovering illes in Dipuies baad 
the hae «6 St. H acin nthe, after G 
Magdalen,”’ after Guido.“ "St. Peter walking on he Sea” 
after Lanfranc. The Nativity of our Savoury” a {mall 
piece, engraven after a defign of Palma the younger, with- 
out the name of the engraver. ‘Thirteen plates of arabef- 
que figures, Saye by Raphael in one of the halls of the 
atican. tof fifteen plates from Raphael’s Cupid ie 
Pfyche, ree Le Brun. ‘“ God agate Mo’e 
rom the Burning Buth.” after the fame. ‘“ Paul ar- 
nzbus at Lyttra,’” sad ee e. St. Paul fco ourged by 
Demons,” afi » known under this title, though in 
ae it reprefents ¢ ‘St ae tormented by Devils dur- 
his Slumber.’’ It is engraven after a defign of Rubens, 
ba falfely attributed to Raphael on the plate. « Jefus 
Chrift delivering the Keys to St. eg on ve leave of the 
affemble poitles,”’? R. V. G. C. T 
eath of Ananias,”’ after ail c T i Landing of 
the Saracens at’ the ort of Oftia 3°? after a defign of 
e fr 
of Au poe Silenus, pouring forth 
Wine,”’ after J ae 0.  Dejanira ile . away by 
the Centaur Neffus, he after the fame, -in qua “s The 
Clemency of Scipio,’’ another anonymous. fo Ho engraving, 
after Raphael. « ‘The Rape of a aia an offagonal 
~ Von. XV. 
by. lion ve Aurora. 
OF ENGRAVING. 
print from a painting by Titian on the cieling of ‘the gallery 
of antique ftatues at Venice 
i oric and allegoric fubjeds after French matters, 
oufin, St. John baptizing his Pro- 
River Baden ? a finely executed engta- 
a sere of Pyrrhus,’? and 
healer aes appeafed by ee Family,’? each engr 
o plates, « — ne delivering up the Seige mance to 
his poe re,’ « The V Armida,’’ in which 
nephews Benoit and John 
ile :0 kneeling before the Virgin Mary,” 
i rom O 
udran 
=n is holding. arrow Pp Vv 
phofes ie “ Daphue transfor nedinto a Laurel,’’ ‘and « Nar- 
ciffus to a Daffodil.”? “ The Empire of Flora,” or the 
metamorphofes of heroes into flowers. « The Plague of 
Rome,” ‘from a large picture which Pouffin painted from a 
defign of Le pes me and w Avudran engraved i m conjunc- 
vith Bar ¢ Time and Truth,’ froma cieling in. 
ie Nae de Richelien, of which: plate, the impreffions bes 
fore the cage was engraved over the figure of truth are 
very rare. 
The above are all — Pouffin : from Pp, Mignard = has 
o raven “ Ae aie E ina,’’ 
the wings - an nge el are eis 
“c ge of ana his Crofs,”’ fon an ‘original i in the k 
France’s collection. The .cieling of the leffer gal store 
of Verfailles, engraved on three plates, of which the fubjeGs 
e * Apollo and the Mufes,”” « Forefight and Secrecy,’ 
and “ Vigilance and Sel ” Six large plates forming a 
fet from the cieling of the Val de Grace, contai ining upwards 
of two hu 
blefied. 
e 
ndred fieus es, and reprefenting the felicity of the 
From the pi@tures of Le Sueur he has engraved the Mar- 
tyrdom of St. Gervais and St. Protais; and on another 
ae arched at the top, that of St. Laurence, in folio ; and 
n quarto, *¢ Aurora bringing forth the Horfes of Phoebus.’? 
“« ‘Time aflifted by Love and Truth difpelling the Clouds of 
Ignorance,”’ a circle, after L. Teftelin, folie. ‘6 The Ar. 
y of Pharaoh agar up in the Red Sea,”’ after Fr. Ver 
dier, in folio. « The e Flight int o Egypt,” after the fame, 
in folio. & Battle with the Saracens,’’ after le Bourguignon, 
in folio. “ The Surrender of He City of Damietta 
in folio. “ The Decifion of Solomon,” after Ant acne, 
pel, in folio. <«* The Deluge,” uy after La Fage, in folio. 
« The Paffage of the Red Sea,’’ after the fame, “ The 
Rape of Proferpine,”’ after the group in the gar den of Ver. 
failles, by cabana in folio. “ God fpeaking to Mofes 
from the Bur ing Bufh,’’ atter Le Brun, in folio, 
Gift. of To neue 7 ead de fame painter, w Hae 
troduced his own portrait. ‘ The Martyrdom cf St. Ste 
phen,”’ after a lat see by the fame mafter in the church of 
otre-Dame, in folio. *¢ The wae ee poe: = 
Conftantine the Great into Rome,’’ the fame. 
ve sling of the Chapel de Saulx,”’ eae the ffiment 
£.the ancient law 
» expreliion, and hne drawing. 
the pavillon at Saulx, oo under the name of the 
An this work Le Brun reprefents the ri- 
fing of the fun, and the in mere 3 engraved on four large 
plates, and inferibed to Loui our very large en- 
gravings from Le Brun’s bates ef Alexander the Ne Greet a 
