FRENCH SCHOOL OF ENGRAVING. 
pal, executed with — neatnels 3 and, as is believed, almioft 
entirely with the grave 
__ Prince Charles Ed fad Stuart, from a picture painted at 
Rome by Dupré. Philibert Papillon, canon of the c hapel 
of Riche, a ierre Bayle, the celebrated critic. 
iotard. Maria 
René Charies 
arliamen ae ater 
of 
PieneeChar les Po ripen 
abbé of St. Medan, ft J. B. Vanloo. Jean-Frederic 
Philippeaux, count de Maurepas, after L. M. Vanloo, 
pda a rangioBeonard i de oo after 
. 
the fame, engraven in 1735. ing of France, 
after Titian, ngraved for the een colition and Louis ¢ 
XV.; king o of France, after Carlo Van 
The following are from the pictures af Frere Jean Andre. 
se The Pilgrims - of Emaus.’’ ‘ The Vifitation.’’ « The 
Virgin with her Rofary.’’ and “* St. Catherine of Sienna.” 
The above fubje€s are all in folio. 
to Tou 
Ant Z. 
tw wenty-one he vifited Paris, and aes “the firft prize of 
the Academy, of which the fubje@ was the brazen ferpent. 
fa 
In confequence of this, he was appointed by the French . 
Academy to go to Rome, where he — for fome time, 
and completed his ftudies. The m 
city being agreeable to his mode of thinking, he finall 
tled in it, and efpoufed fignora inetd ‘Tibaldi, a cele- 
Subleyras compofed with great 
; ze ofl feffed a brilliant repu- 
tation, though he died at the age of fifty, and the great - 
number of his pictures, which were to be found both in 
Rome and the other Italian cities, bears teftimony to his 
y fet- 
and is among t nters who hav 
handled the ciching-needle with et ae. aa {pirit. His 
thoice of fubjeéts is excellen 
We may here nana as s favourable {pecimens of his 
talent as an etcher, the following print 
“¢ The Brazen Serpent,” for the aa of the Academy. 
n 1699, and d 
is death he aoa the title 
the inftru€tion of pupils. 
1 
In engraving he appears to have ftudied in the {chool of 
At 
of living in this re ofin 
piter and Jo;”’ after Julio Romano. « St. John preaching 
im the Wildernefs," after J. Baptifte Gauli, furnamed the 
Drun us and Pomona,’’ after Rembrandt. 
* An old Woman a a young Girl’s Fortune.”’  « The 
on ™ en In 17443 he 
«« Love in a City ;”? and.“ Love in a Village? 
expelled by Painting,’’ after Ch. Coypel. 
at their cae after the fi * Ceres afleep,”’ 
The Breakfatt,’’ after the fame. 
“ Th 
alia 
Memory of Bayle, 
Locke, and Sydenham,”’ after Creti, Ferraivoli, and Mi- 
randot, conftituting one of the nine ‘Slate — en in Eng- 
land d by aque and other French engra 
The aad - this artift are ace of Nicolas 
Bertin, ae o the e king, painted by Lien, and engraven 
epicie for is reception into the Academy in 1740. 
Louis de ‘Dhilibes firt painter to the ki 
Rigaud. ifte: fin 
2? 
after Watteau wae lotte Delates, as Thalia, after : 
(Charles Coypel). Catherine de Seine, in = character of 
Cleopatra, after Jac. And. Aved. Trance s d’Aubigny, 
marchionefs de Maintenon, after Mignard. Jean Baptifte 
oliere, after Charles Coypel. 
Renée-Elizabeth Marlie, wife of Bernard Lepicie, was 
alfo > diftinguifhed asa T'renc h engraver. Her betft works are, 
« Youth aa Decrepitude,”’ 
” anda‘ 
“ The Fi 
Benedicite; 
2 dia. two plates. 
a a in I 
Mari 
emifh — after D. aiid 
¥ 1720; in two Bite volumes. 
io oS are alfo from her hand: 
ung Girl careffing a Rabbit,’ after S. Bafleporte; 
Girl with her favourite Cat,” after P. P. A. 
Robert. 
Jean Hauffart, or Hauflard, was born at Paris in the be- 
ginning of the eighteenth century. The time of his death 
7a under what mafter he 
but he imitated, with much fuccefs, the ftyle of 
Jean Audran, whofe a he Sora imitated. His Benoit Audran. His ing was cg and the greateft 
ine ee is not very c wt pie muft be | ‘number of his prints executed w onfiderable taite. The 
that many of his deat tute of me rodudtions which do moft honour are thofe which - 
H 
cited ‘England, ane inv ited hither by Dubofc, and during 
ftay afiifled Dorigny in engraving the Cartoons of Ra- 
‘phgel at Hampton Court. 
n- his capacity of hiftoriographer to the Academy, he 
publithed two works, having for their titles: “¢ Defcrip- 
ia of the Pitures of the King ;’’ and “ The Lives of 
. rft Painters to es King, re Charles Le Brun, to 
F rancois Moi 
The prints of this arak coufik of hifterical fubjeGts, and 
portraits of tlie folio clafs, and are principal ly as follow : 
“ The Circumcifion ;”’ « Jupiter and Juno ;” and « Ju- 
engraved for the collection of Crozat, among which 
the following: 
¢ Jupiter eid Semele,” > after a cartoon of Julia Romano, 
«The Creation of Eve,’’ after the f « Vir- 
an eka ey cage 3 of five figures, after 
e¢ e 
he Teme noes 
us expelling the Venders from 
aS rafter Bar th. Manfredi. « rs-aflembled 
ire a cae ” and ¢ Ne {triking the Rock,” both 
ae Fr. Romanell “ Div and Lazarus,’’ after 
Feti. “ The Four Ages,’ PA tcd by Hauflard himfelf. 
“The Virgin holding the oa Jeius ftanding on her Knees,’ : 
in 
