rUuUG 
abbey and aa of Francifcans ; s AT miles 8, of Avg fbarg. 
MN. lat. 3. long. 10° 
FUESSE. t Jous-Ga els in Biography, an ingenious 
artill and writer, was born at Zurich in ¥706 3 bi nt bavin g 
1724, without a means of fup- 
ith whofe patron- 
aa sae t be beneficialto him. Here, ane he attract- 
ed the notice of the principal nobility, and meeting with en- 
e€t adequate to his wants, he re- 
~ From Raditadt he 
Ww ms to Na rarenberg: w sieeie ae an intimate friendfhip 
with the celebrated Rupewki, wder whom he tkudied, with 
aview to improve himfelf in his profeffion, He next vifited 
g¢ and Munich, and returned to Sw ifferland, where 
in hi foon after married. ; 
fengs he was prefented with a oe treatife 
<s On the Beautiful,” which he publifhed with a preface. 
With Winkelman he lived in the clofeit habite ot fendthip, 
and he as _ Le a cet 
he 
dence ‘vith leit "Kiopitoc, Ww poy “Todien and other 
great men of the. age.. e years 1740 and 3742, 
Rott two of his beft Friends fe and Rugendas, os 
being. defirous that men fo eminent, and for whom he felt 
ftroug an aTection, real not be forgotten by pofterity, he 
graph ae acc This, his firit a 
the departm: ng. with a ver 
favourable reception, ing from oblivion 
e of his meritorious countrymen, by publifhing as com- 
fee a hittory as poffible of the artifts of Swifferland. In 
this work, which he completed with great labour, perfeve- 
ana he Dagan ce, he Saar ney 
cin the arts : 
ee hehin dhim a moft ee character. He had 
very long been regarded as worthy the efteem and pine 
of perfons of the higheft rank and eminence. though 
accuftomed to live with ee great, he oe the arts of 
adulation,. ae was apen in his manne: beha 
viour.. oufe was the bape: for en who cultivated 
‘and were adel to the His. circumftane e al. 
ways very moderate, yet ee was -not eae in his fa sone ort 
ferve thofe who ftood 
of men of letters, and was ready to.. 
in need of his aus « Negligent,.” fays his biographe 
«in regard to himfelf, he was care’ others ; ive 
oe incapable- of knocking at the oe of the gre 
- ccount, he.wasnot.afhame collect money as 
‘ia when he had it in his power: to ae a towards the 
geet of. any child of misfortune.’?” More 
FA, in oe y. atawn of Japan, in ie Wand of. 
Niphon ; 140 miles V J 
FUGA, one of. ie iands ney ae - 
22 miles in circumference, N, -lat.. E.. long..1 
c Ga Demonum; in Botany, a sani ufed by fome. authors 
for the hypericum, .or St. John’ 
Fuca, Ital. . om fugeres Latin t 0 fly,.a ovement in 
Mufic, in which the leading part or. firft treble is puaned by ¢t 
the fecond, the fecond treble by the tenor, and the tenor by 
the yam ; = that a fugue isa fight — a purfisit. This. fub- 
je has Sua = ee tre ates i ~_ icle COUN BERPOINT, 
to. piaiy aaa little remains to.be added 
to it here, nahn re beatae its laws, and the. doétrines 
PUG 
a boa apap in fupport of them. Rouffeau de- 
a fug a piece of mufic in which a trait of melody, 
salled oe  Tibje is treated, according to certain eftablithed 
of afermon, out of which oa that is 
faid fhould ale arife, and ane ve asa are 
er tion. 
to the fourth, eighth and unifon ; as the efle& is 
e remembered that the fubieét it~ 
8 other movements, fhould begin on the key 
» its fifth or its eighth. Of the various rules by which 
true an{wer to a fugue may be tried, 
si fini Sige c Padre Ma i the modes of 
3b 
r nexceptionable shane giving the anfiver 
in eons ek me ae vals as the fubjeét, only remembering 
that if one part pa oa ; ee other — ony a a fourths. 
as o — Gk -— *& — ete contra 
—-CxX-—G a Sean, a "Pp Als. 
But Ger is only in leading off The reit of the anfwer ae 
be the fame intervals, and chara¢ters for: time, as the- 
xcept i abs — augmentation and diminution, 
sh 
NUTION, 
e anfwe 
theme. See PROLATI ON, 
All fugues and canons are imitations ; but the term imitation: 
is only applied to irregular ore when the inte — are: 
not the fame. re anfwer to a regular fugue may com-.- 
mience in the middle of the fubjed, which will ie them 
together, and make them recipreca y accompaniments to- 
each other. It were im poffible to enum erate all the in-- 
genious contvaneee that face been: ufed:in. the works of. 
great fughifts. The following are: th e moft frequent. 
UGA ber Arfinees I héfing or ide al In contrary motion. . 
Eu UGA ontrari Movime. 
in Confequenzsay is Canes ufed for canon... 
foe. Omofona, a fugue in unifon. 
fugue. 
n longer or nae note 
nd 1D 
A canon is fo called... 
ual fi 
ae 7 Ancient Schoo! Philofophy, a fuppofed: 
averfion in natu 
Mott of the phenomena which the ancients afcribed to 
t from t 
O-ab ie 
ee loncts 
be. the fame 
n the 24th 
comiti 
Be he as.it. will, the only ancient author of ‘note: that - 
makes exprefs.. mention of :the fugalia is St. Lugu anes 
De Civitate Dei, hb.-ii. cap. 6. And his commentator 
Vives fhews a.great inclination to-correét the reading of the - 
word,’ 
