1838.] from Gimar in Gujerdt. 351 



Now, although the succession of the Satraps or Sah family, as 

 given in last volume, page 338, rests but on slender evidence in some 

 points ; still where the names of father and son are consecutive, we may 

 rest with confidence on it in fixing the priority of such of our newly 

 found numerals as occur on them respectively. 



We must for the sake of perspicuity, repeat the list with the addition 

 of the dates as far as we have traced them : 



Regal Satraps of Surdshtra. 



1 K. Rudra Sah, son of a private individual Swami Jina Dama 



2 K. Aga Dama, his son. 



(Here the connection is broken.) 



3 MK. Dama Sah, (no coins.) 



4 MK. Vijaya Sah, son of Dama Sah. 

 . 5 K. Vira Dama, son of Dama Sah. 



6 MK. Rudra Sah, son of Vira Dama', Samvat, 009 and 19* 



7 K. Viswa Sah, another son of ditto, ditto, AV7^» 



8 K. Rudra Sah, son of M. K. Rudra Sah, ditto, HQ 



9 MK. Atri Dama, son of ditto, ditto, ^OC I 



10 MK. Viswa Sah, son of Atri Dama. 



(Here the connection is broken.) 



11 MK. Swa'mi Rudra Dama', (no coins.) 



12 MK. Swami Rudra Sah, his son, Samvat, ^(DD and ^93° 



The two last names being insulated from the rest were on the former 

 occasion placed by me before Dama Sah, because the form of the letter 

 j seemed of the earlier type. Since then, I have learnt that the turn- 

 ing up of the central stroke of the j constitutes a vowel inflection. I 

 now therefore bring the two Swam is to the foot of the list on the plea 



that all figures must have precedence of the 9 or £g- I* 1 tne same 

 manner we may now argue that Q precedes ^HT this figure 0C and the 

 latter again Q] , 



To aid in prosecuting my inquiry, I begged Kamala'kanta, to 

 point out any allusions to the forms of the ancient numerals, he might 

 have met with in grammars or other works ; but he could produce 

 but very few instances to the point. One of these is to be met with 

 in the Kdtantra Vyaharaiia, a work of Belala Sena's time, where 

 the conformation of the four is alluded to in these words, 



Like a woman's breast is the figure four, and like the visarga; 

 2 Y 



