National Portrait Gallery 



Office of the Director 



Carr, Carolyn K. "William Merritt Chase: Girl in White." In 

 Akron Art Museum: Art Since 1&50. an Introduction to the 

 Collection, by Barbara Tannenbaum, Mitchell D. Kahan, and 

 Jeffrey Grove, with additional contributions by Graham 

 W.J. Beal et al. Akron, Ohio: Akron Art Museum, 1997. 



Fern, Alan. Foreword to Mat hew Brady and the Image of History. 

 by Mary Panzer. Washington, D.C.: Smithsonian 

 Institution Press, 1997. 



. "Leadership in Arts — Oxymoron or Opportunity." 



Washington, D.C.: The Cosmos Club, Cosmos ippj, 



PP- 70-73- 

 Fern, Alan, and Albert J. Beveridge III. Foreword to George C. 

 Marshall: Soldier of Peace, by James G. Barber. Washington, 

 D.C. and Lexington, Virginia: National Portrait Gallery 

 and The George C. Marshall Foundation, 1997. 



Catalog of American Portraits 



Sisum, Deborah L. '"A Most Favorable and Striking 



Resemblance': The Virginia Portraits of Cephas Thompson 

 ( l 77$— 1856)." Journal of Early Southern Decorative Arts 23, no. 

 i,(Summer i997):i-89. 



. "Lighting Out for the Territories: American 



Expatriates, Pans, and Modernism." The Sewanee Review 105 

 (Summer i997):423-27. 



. Essay review of Landscape and Memory, by Simon 



Schama, and Flesh and Stone, by Richard Sennett. 

 Archives of American Art Journal 36 (Winter 1996 [1997]): 

 23-26. 

 . Review of Agent of Destiny: The Life and Times of 



Winfield Scott, by John Eisenhower. The Philadelphia 

 Inquirer. January II, 1997, 8. 

 . Review at Daniel Webster: The Man and His Time, by- 



Robert Remini. The Philadelphia Inquirer. December 14, 

 1997, 7- 

 . Review of Robert Penn Warren, by Joseph Blotner. The 



Boston Book Review, July/August 1997, 16. 



Department of Photographs 



Panzer, Mary C. Foreword to Mary Ellen Mark: Portraits. 



Washington, D.C: Smithsonian Institution Press, 1997. 

 . Mathew Brady and the Image of History. Washington, 



D.C: Smithsonian Institution Press, 1997. 

 . ed. "Mathew Brady's National Portrait Gallery 



Gazette." Washington, D.C: National Portrait Gallery, 

 1997- 

 . ed. Mathew Brady's Portraits: A Web-site. National 



Portrait Gallery, Smithsonian Institution, 1997. 



Department of History 



Barber, James G. George C. Marshall: Soldier of Peace. 



Washington, D.C: National Portrait Gallery, Smithsonian 

 Institution and The George C Marshall Foundation, 1997. 



Henderson, Amy, and Dwight Blocker Bowers. Introduction 

 and progam notes for Star Spangled Rhythm: Voices of 

 Broadway and Hollywood (4-CD set). Washington, D.C: 

 Smithsonian Institution Press, 1997. 



. Red. Hot & Blue Songbook: Classic Songs from Great 



American Musicals. New York: Universe, 1997. 



Peale Family Papers 



Hart, Sidney. Essay review of Public Culture in the Early 



Republic: Peak's Museum and Its Audience, by David A. 



Bngham. Archives of American Art Journal 3<S(Winter 1996 



[I997]):ll-l6. 

 . Review oijohn Quincy Adams: A Public Life, a Private 



Life, by Paul C. Nagel. The Philadelphia Inquirer, November 



30, 1997. 

 Ward, David C. "'Morgenland': The Poetry of Robert 



Morgan." North Carolina Literary Review 6 (Summer 



l997):l24-29. 

 . "'Love Again': Larkin and Obscenity." The Sewanee 



Review 105 (Spring I997):227~43. 



Department of Prints and Drawings 



Reaves, Wendy Wick. "Celebrity Caricature and Material 

 Culture." The Grapevine (November 1996):!— 2. 



Wagner, Ann Prentice. '"The Artist Prints: Thirty-Five Years 

 at Crown Point Press' at The National Gallery of Art." The 

 Washington Print Club Quarterly (Fall I997):n-I4. 



. "The Graver, the Brush, and the Ruling Machine: 



The Training of Late-Nineteenth-Century Wood 

 Engravers." In The Cultivation of Artists in Nineteenth Century 

 America. Edited by Georgia B. Barnhill, Diana Korzenik, 

 and Caroline F. Sloatt. Worcester, Mass.: American 

 Antiquarian Society, 1997. 



. "Michelangelo and His Influence: Walking Tour by 



Andrew Robison." The Washington Print Club Quarterly 

 (Spring l997):2-4. 

 Walker, LuLen. "A Jazz Era Portfolio at the National Portrait 

 Gallery." The Washington Print Club Quarterly (Winter 



i99<S-5>7):3-44- 



. "Le Tumulte Noir: Paul Colm's Jazz Age Portfolio." 



Brochure for the National Portrait Gallery exhibition, 

 January 31— September 14, 1997. Brochure was also 

 published in the Chicago Art Deco Society Magazine (Spring 



I997):i3-I5- 

 . "Tour of Biennial Exhibition: 'Go Out Into the 



Street,'" The Washington Print Club Quarterly (Spring I997):9- 



103 



