iels. Primary Colors, 1978, acrylic, 

 metal, mirrors and sryrofoam, by 

 Barrow G. Daniels (1952-1989) 



(I995-3D 



Dr. Hilbert H. DeLawter, in memory of 

 his wife, Lori. Untitled, 1961, reduced 

 stoneware with multi-glazes, by John 

 Glick (born 1938); Spring, 1961, wool, 

 by Joseph Hamling (born ca. 1939), 

 I995.44.I..2 



Darlene Mason Denard. Profile in Blue, 

 1988, ink, charcoal conte on paper, by 

 Ron Adams (born 1934) (1994.58) 



Stuart and Beverly Denenberg. Depth 

 Bomb, ca. 1930, etching and drypoint 

 on paper; The Rainbow, ca. 1938, lino- 

 cut on paper, by Edward Hagedorn 

 (1902-1982) (1994.83. 1, .2) 



Reverend Virgilio Elizondo. La Tienda 

 de Elizondo, 1993, acrylic on canvas, 

 by Jesse Trevino (born Mexico 1946) 

 (1994.126) 



William W. Ellis, donated in memory 

 of A. Russell Ellis by his sons. Land- 

 scape, ca. i860, oil on canvas, by 

 Charles Herbert Moore (1840-1930) 

 (1994.82) 



Henry David and Barbara Tannenbaum 

 Epstein. Selenium Ruby, 1994, cut, pol- 

 ished, constructed and cast optical 

 and dichroic glass and vitrolite, by 

 Michael Taylor (born 1944) (1994.94) 



Joan Farrell. Double Summer, 1991, two 

 raku sculptures, by Susan Kemenyffy 

 (born 1941) and Steven Kemenyffy; 

 born i943)(!995-38) 



Matthew Fraser, for Caitlin Holcomb, 

 Douglas Holcomb, Lacy Presley, 

 Anna Presley, Jessica Presley, Mat- 

 thew Brenner, Thomas Brenner. Sib- 

 lings, 1990, 5-color reductive linocut, 

 by Judith Linhares (born 1940); Cut- 

 away, 1989, color linocut with Japan- 

 ese papers, by Robin Winters (born 

 1950); Life's Lures, 1985, etching; Life's 

 Comet, 1985, mezzotint; Up or Down 

 Hill, 1991, color mezzotint with 

 chine colle by (C) Rayberry (born 

 1952); Habitat, 1990, eight-color linocut 

 with chine colle, by Hunt Slonem 

 (born 1951); Untitled, 1990, etching (var- 

 ious techniques), by Michael Tetherow 

 (born 1942) (1995.18.1-.7) 



Robert B. Green. Cartoon for "Palinello", 

 1934, conte crayon on paper; Phantas- 



magoria, 1985, brush and ink and pen 

 and ink with white highlights on 

 paper;January Lark, 1986, watercolor 

 on paper; Chloe with Tobias and An- 

 gels, 1980, watercolor on paper; Alice's 

 Reverie, 1987, watercolor on paper; Cy- 

 clamen, 1989, watercolor on paper; 

 Palinello II, 1934, egg tempera on 

 gessoed masonite; Angels of Light and 

 Darkness, 1950, egg, oil, casein on a 

 gesso ground on imported herring- 

 bone weave hemp canvas; by Robert 

 B. Green (born 1909) (1995. 19. 1-. 8) 



Arthur Fribourg (bequest). Nude on the 

 Rock, n.d., brown marker on paper, 

 by Milton Avery (1893-1963); Ruts, 

 1977, color lithograph, by Nancy 

 Graves (born 1940); After the Harvest, 

 1970, aquatint and intaglio, by Mark 

 Tobey (1890-1976) (1995.62.1-.3) 



Hand Graphics, fm. portfolio Revisited, 

 1995: Untitled (Neu Mexican Site); Un- 

 titled (Interior Site — rust ink) , Untitled 

 (Ryan 21); Untitled (Interior Site — deep 

 brown ink), photo-electric intaglios, 

 by Nathan Oliveira (born 1928) 

 (1995.JJ.I-.4) 



Susan Harder, in honor of Pat Chieffo. 

 Untitled, 1971 (possibly later print), 

 gelatin silver print, by Andre Kertesz 

 (1894-1985), (1994.112) 



Nancy Heller. Bird and Microphone 

 (a.k.a. Canary), 1953, linocut and 

 lithograph; Icarus and Mysterious 

 Stranger, 1982, monotype; Portrait of 

 Pablo O'Higgins, 1947, linocut; Self- 

 Portrait, 1947, lithograph; Clown, 

 1952, color lithograph; Phoenix, 1984, 

 monotype, by Jules Heller (born 

 1919) (1994.122. 1-. 6) 



Lloyd E. Herman, Director Emeritus of 

 the Renwick Gallery in memory of 

 Paul Vickers Gardner, Curator Emeri- 

 tus, Division of Ceramics and Glass, 

 National Museum of American His- 

 tory. Untitled, 1969, hot formed glass, 

 by Dominick Labino (born 1910) 

 (1994.IOI) 



Olga Hirshhorn. Poster from the Armory 

 Show, ca. 1913, Letterpress and silk- 

 screen, by an unidentified artist 

 (1994.70) 



Lee Hoffman. Malcolm as Grunwald, 

 1982-1983, drypoint on zinc plate 

 with watercolor and gouache on 



paper; fm. portfolio // is Now Early 

 May, 1994: Rough and Tough (I); Drag- 

 ons sous la lune (II); Flourimond et Ray- 

 mond regardent une table immense (III); 

 Mon neveu avec les cheveux de Jerome 

 (IV); Sauce Pimente'e (V); L'£glise 

 Tourmentee (VI); Taze Dansant (VII); 

 Le Pay sage de L'Air (VIII); Nous 

 Attendons Avec nos Chapeaux (IX); En- 

 core Toil (X); Le Vieil Homme de la 

 Foret (XI); Trente pas vers la Chine 

 (XII), gravures, by Lee Hoffman 

 (born 1942) (1994.99. 1,2.1-. 12) 



Robyn and John Horn. Spoon from a For- 

 gotten Ceremony, 1994, dogwood, by 

 Norm Sartonus (born 1947) (1994.75) 



Mr. and Mrs. Bert Hunecke (with Mr. 

 and Mrs. William M. Clary, Laura 

 and Marvin Clary). Girl Standing in 

 the Mist of Heaven, 1985, oil on panel, 

 by Lorenzo Scott (born 1934) 

 (1994.125) 



Charles T. Isaacs, Jr. Hunting by Stream 

 in Melville Bay..., 1873, albumen 

 print, by Dunmore and William 

 Bradford Chritcherson, (19th c); Cas- 

 tle Geyser Cone, n.d., mammoth albu- 

 men print, by F. Jay Haynes 

 (1853-1921); The Manger, 1900, plati- 

 num print, by Gertrude Kasebeir 

 (1852-1934); Tropical Scenery: The Ter- 

 mtnum of the Proposed Canal-Limon 

 Bay, 1870, albumen print, by John 

 Moran, 19th c; Editor (man in odd hat 

 at table with uriting...), 1850s, da- 

 guerreotype, by an unidentified artist 

 (19th c); Family at Niagara Falls, c. 

 1860s, amabrotype, by an unidenti- 

 fied artist (19th c.) (1994.90. 1-. 6); 

 38th General Hospital. Camp Bowie, 

 Texas, July 3rd, 1942, ca. 1940s, gelatin 

 silver print, by Walton Studio (ca. 

 1940s) (1995.8) 



Dr. Charles T and Alma Isaacs, Sr. Val- 

 ley of the Yosemtte from Union Point, 

 1872, by Edweard Muybridge (1830- 

 1904); Cathedral Rocks. Susquehanna 

 near Meghoppen.LVRR, 1899, mam- 

 moth albumen print, by William H. 

 Rau (1855-1920); Corn Shocks and Sky, 

 ca. 1920s, platinum print, by Dons 

 Ullman (1844-1934); Witches Rock near 

 Echo City. Utah, ca. 1870, mammoth 

 albumen print, by Carleton Watkins 

 (1824-1916); Mirror Lake. Yosemite, 



2-75 



