1865, mammoth albumen print, by 

 Charles L. Weed (1840-1903) 

 (1994.89.1-.5) 

 Girard Jackson. Study for Paderewski Con- 

 cert, Carnegie Hall, ca. 1913— 14; Stand- 

 ing Figure study for Paderewski Concert. 

 Carnegie Hall, ca. 1913-14, charcoal 

 drawings on paper, by Theresa Bern- 

 stein (born 1885) (1994 106. 1, .2) 



Frederick Jules (with Gabriel Zepecki). 

 Cove, ca. 1988; Night, ca. 1988, mono- 

 types, by Mervin Jules (1912-1994) 

 (1994.96. 1, .2) 



Max Kahn, Estate of (bequest), sketches 

 for Greenhouse, 1950, charcoal on 

 paper; Rising Sun Farm, 1953, oil on 

 canvas, by Lee Gatch (1902-1968) 

 (1995.23.I-.4) 



Ron Kent. Footed Vessel, 1993, Norfolk Is- 

 land pine, by Ron Kent (born 1931) 

 (1994.103) 



Jim Kitchens, in honor of Michael 

 Ford. Untitled sculptures, 1986, 

 mixed media, by Humberto Dionisio 

 (born 1950) (1994. 118.. I, .2) 



Rebecca Klemm. Cabbage Vase on a Pedes- 

 tal, 1993, wheel thrown, carved and 

 incised porcelain with celadon glaze, 

 by Cliff Lee (born 1951) (1995.39) 



Judge William G. Kocol. Brain Trust 

 (Conference), 1935, oil on masonite, by 

 Jack Levine (born 1915) (1994.88) 



Alan and Michael Lipton. Untitled draw- 

 ings, 1957, 1959, 1971, 1972, 1982, 

 1982, oil crayon on paper, by Sey- 

 mour Lipton (1903-1986) (1994.98. 1- 

 .6) 



Michael Mazur. Nightswimmer, 1983, by 

 Michael Mazur (born 1935) (1995.68) 



Sam and Alfreda Maloof, in honor of Mi- 

 chael W. Monroe, Renwick Gallery 

 Curator-in-Charge, 1986-1995. Mi- 

 chael W. Monroe Lou-back Side Chair, 

 1995, zircote, by Sam Maloof (born 

 1916) (1995.29) 



Alfred T. Morris, Jr. Untitled, n.d., oil 

 on masonite, by Rolph Scarlett (1889— 



1994) (1994-123) 



Jan Myers. Golden Warriors, n.d., seri- 

 graph, by Guy Maccoy (1904-1981) 

 (1994.109) 



Benjamin P. Nicolette. River House, 

 1980, painted wood and dirt, by Wil- 

 liam Christenberry (born 1936) 

 (1994.92) 



Michael and Justine O'Donovan. Head- 

 lands VI, 1965 (signed 1985), etching, 

 by Gordon Cook (1927-1985) (1995.33) 



Georgia O'Keeffe Foundation. Cityscape 

 with Roses, 1932, oil on canvas; Special 

 No. 32, 1914, pastel on paper, by Geor- 

 gia O'Keeffe (1887-1986) (1995.3.1, .2) 



Mrs. William Ordway Partridge. Bust of 

 Percy Bysshe Shelly, n.d., by William 

 Ordway Partridge (1861-1920) 



(1994-73) 



Gerald L. Pearson. John Henry, 1979, oil 

 on canvas; Green Window, 1970, oil on 

 canvas, by Fred Brown (born 1945) 

 (1995.22.L.2) 



Sue and Bernie Pucker, in honor of Ir- 

 ving and Charlotte Rabb. Large Vase 

 with Cover, 1991, porcelain with 

 honan tenmoku glaze, by Brother 

 Thomas Bezanson (born 1929) 



(I995-63) 



Roderick S. Quiroz. The Bridge, Sunday, 

 1952; Black on Black. Pittsburgh, 1948; 

 Orpheus — The Look Back, 1953; Sunday 

 Night in the Plaza, 1961; Self -Reflect ion 

 at Museum of Modern Art, 1971, litho- 

 graphs, by Prentiss H. Taylor (1907- 



I99D (I995-45-I--5) 



John Raimondi. In the Fifth Season II, 

 1985, by Gregory Amenoff (born 

 1948X1994.113) 



James Renwick Alliance. When She Was 

 Bad..., 1994, painted wood, rift white 

 oak, pau amarello, hand-made paper, 

 by Roseanne Somerson (born 1954) 

 (1995.32); Rehoboth Meander: Quilt 

 #159, 1993, machine pieced cotton 

 and silk; machine quilted, by Mi- 

 chael James (born 1949) (1994.76); 

 Huntress, 1933, bronze, gold-plated 

 bronze, blown glass and plate glass, 

 by Dan Daily (born 1947) (1994.77); 

 Tea Service, 1991, teapot: sterling sil- 

 ver with rosewood; sugar and 

 creamer: sterling silver with 

 cloisonne enamel lids, by Maureen 

 Banner (born 1946) and Michael Ban- 

 ner (born 1939) (1994.78. 1-. 3); Neck- 

 lace, 1954, cast sterling silver, by 

 Ronald Hayes Pearson (born 1924) 

 (1995.6); G W. Cabinet, 1994, painted 

 wood, by Tommy Simpson (born 

 •939) (1995-13); Ooh: I am Precious #21, 

 1987, gold and silver papercord and 

 canvas, by Gene and Hiroko 



Pijanowski (born 1938; born 1942) 

 (1995.14); Fruit Still Life, 1994: Opaque 

 Apple; Zanfirico Apple; Zanfirico Plum; 

 Opaque Pear, hand-blown glass sculp- 

 tures, by Flora Mace (born 1949) and 

 Joey Kirkpatrick (born 1952) 

 (1995. 16. 1-. 4); Teapot Goblet (#260), 

 1991; Teapot Goblet (#94-14), 1994; Tea- 

 pot Goblet (#324), 1992; Teapot Goblet 

 (#3206), 1992; Teapot Goblet (#94-17), 

 1994, hand-blown glass, by Richard 

 Marquis (born 1945) (1995.24.1-.5); 

 Bracelet, (1988), sterling silver, 18k 

 gold, metal and slate, by Rachelle 

 Thiewes (born 1952) (1995.26); Head 

 Vase with Large Lips, 1988; Head Vase 

 with Jagged Hair, 1988, cast bronze 

 with relieved and burnished edges, 

 carnauba wax, by Janet Prip (born 

 1950) (1995.42. 1, .2); Red Group, 1995, 

 blown glass vessels, by Dante 

 Manoni (born 1964) (1995.88.1-.3); 

 Noon Mark, 1995, bronze, by Jona- 

 than Bonner (born 1947) (1995.60); 

 Log Cabin Maze, 1992, hand-painted, 

 hand-quilted, and machine-sewn 

 dyed fabric, by Ellen Oppenheimer 

 (born 1952) (1995.66) 



James Renwick Alliance, in honor of 

 Michael W Monroe, Renwick Gal- 

 lery Curator-in-Charge 1986-1995. 

 Monkey Settee, 1995, walnut and 

 bronze, by Judy McKie (born 1944) 

 (I995-67) 



James Renwick Alliance (and museum 

 purchase). Arabian Seasons, 1994, 

 glass, paint and plastic, by Therman 

 Statom (born 1953) (1995.5) 



Park and Phyllis Rinard, in honor of 

 Nan Wood Graham. Shrine Quartet, 

 1939; Family Doctor, 1940; March, 

 1939; Sultry Night, 1939; Honorary De- 

 gree, 1938; January, 1938; Fertility, 

 1939; Seed and Harvest Time, 1937 ; 

 July Fifteenth, 1938; In the Spring, 1939; 

 lithographs, by Grant Wood (1891- 

 1942); Coyotes Stealm' a Pig, 1927, 

 lithograph, by John Steuart Curry 

 (1897-1943); Sons of Peace, 1934, litho- 

 graph, by John T. McCutcheon (1870- 



i949)d994-"5- 1 -- 12 ) 

 Dr. S. Dillon Ripley II and Mary Living- 

 ston Ripley (partial and promised 

 gift). Washington Sea Eagle, (ca. 1836- 

 1839), oil on canvas, attributed to 



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