132 



Eli and Penelope Boling, and 

 museum purchase through the 

 Renwick Acquisitions Fund). Twisted 

 Place Setting, manufact: 2000; 

 design: 1985, forged sterling silver, 

 by Michel Royston (2000.63.1 -.6) 



Cynthia Boyer (and Eleanor T. and 

 Samuel J. Rosenfeld)./oz>rfi? Vivre, 

 1995, pieced, appliqued, hand 

 painted, and machine quilted 

 commercial fabrics with glass and 

 metallic threads, fetishes, charms, 

 antique burrongs, and semi- 

 precious stones, by Natasha 

 Kempers-Cullen (2000.34) 



Fleur Bresler (and John and Robyn 

 Horn, and Kenneth R. Trapp). 

 Mutation, 1999, Mexican oak burl, 

 by Norm Sartorius (2000.15) 



Ann L. Bronfman. Large Vase, 2000, 

 elm ashed glazed clay, by Brother 

 Thomas Bezanson (2000.61) 



Shelly and Thomas Brunner in 



memory of Louise Koblitz Brunner. 

 Large Rectangular Vase, 1994, glazed 

 porcelain with incised d'cor, by 

 Fance Franck (2000.66) 



Dr. Richard D. Bullock (and museum 

 purchase). Mount Cbocorua, ca. 

 1856, oil on canvas, by William 

 James Stillman (1999.81) 



David and Jacqueline Charak. Tropical 

 Island Teapot, 1996, multi-glazed 

 earthenware and China paint, by 

 Joan Takayama Ogawa (20O0.33a-d) 



Clifford T and Patricia H. Chieffo. 

 Baby March, 1933, etching, ed. 

 39/100, by Milton Avery; Repose, 

 etching, artist's proof, by Walt 

 Kuhn; 1965, 1964, two-color 

 lithograph, ed. 36/50, by Richard 

 Lindner (1999. 82. 1-. 3) 



Christo and Jeanne-Claude. Running 

 Fence, Sonoma and Marin Counties, 

 California, 1972—76, 1976, 

 photograph, by Christo and Jeanne- 

 Claude; Running Fence, Project for 

 Sonoma and Marin Counties. 

 California, 1976, collage: charcoal, 

 pastel, photograph by Wolfgang 

 Volz, crayon and technical data, by 

 Christo (2000.35. i-2a-b) 



Martha and Pat Connell (and museum 

 purchase through the Howard 

 Kottler Endowment for Ceramic 

 Art). Lineman, 1998, hand-built, 

 glazed, stained earthenware, by 

 Allan Rosenbaum (2000.6) 



Annals of the Smithsonian Institution 2000 



Connell Gallery (and Rude Osolnik, 

 in loving memory of Daphne 

 Francis). Stack Laminated Mahogany 

 Bowl, 1990, stack laminated and 

 lathe-turned mahogany, by Rude 

 Osolnik (1999.105) 



Beverly Cory. Wave, 1967, cast copper 

 and resin, by Ken Cory; George 

 Washington {belt buckle) , 1980, 

 copper, brass, silver, enamel, 

 garnets, mother-of-pearl, by Ken 

 Cory; Bear (pin), 1987, silver, 18k 

 gold, 24k gold, blue topaz, by Ken 

 Cory (1999. 66. 1-. 3) 



Robert Danziger (and Martha Drexler 

 Lynn). Floating Back Rocker, 2000, 

 fiddleback maple, by Robert 

 Erickson (2000.54) 



Florence Coulson Davis, bequest of. 

 Untitled, n.d., oil on paper, by Joan 

 Mitchell (2000.9.1); 12 prints from 

 the portfolio "Peace Portfolio I," 

 1970, silkscreen, by various artists 

 (2000.9.2. 1-. 12); 72 drawings, 

 various dares, various media, by 

 Gene Davis (2000.43. 1-. 72) 



Dorothy Dehner Foundation for the 

 Visual Arts. 8 drawings, various 

 dates, various media, by Dorothy 

 Dehner (1999.79. 1-. 8) 



Marcia and Alan Docter. Incantations, 

 1996, coiled cotton and wire, by 

 Carol Eckert (2000.37) 



Kathy Erteman, in memory of 

 Marguerite Dexter. Ceramic 

 Bowl. 1999, slipcast whiteware clay 

 with black engobe hand carving 

 and wax resist dye, by Kathy 

 Erteman (1999.69) 



Joseph A. Fleck, Jr. Amarilla, ca. 

 1927, oil on canvas, by Joseph A. 

 Fleck (1999.70) 



Richard L. Ford, Jr., in honor of Jan 

 Baum. Structure (locket-pendant), 

 1996, nickel silver, bronze, 24 karat 

 gold plate, by Jan Baum (1999.95) 



Patricia Tobacco Forrester. Clearing, 

 1989, watercolor on paper, by 

 Patricia Tobacco Forrester (1999.76) 



Margaret French, bequest of. Learning, 

 1946, egg tempera on gesso panel, 

 by Jared French; Seat by the Sea. egg 

 tempera on board, by Jared French; 

 Nude and Dress Suit. 1950, egg 

 tempera and ink on board, by Jared 

 French (1999.98.3); Offended Gods, 

 ca. 1960s, pencil and ink on paper, 

 by Jared French (1999.98. 1-. 4); 



PaJaMa box "A," ca. 1937, silver 

 prints mounted on paper, by Jared 

 French (1999.98.5. 1-. 48); PaJaMa 

 box "B," ca. 1938, silver prints 

 mounted on paper, by Jared French 

 (1999.98.6. 1-. 53); PaJaMa box 

 "C, " ca. 1939, silver prints mounted 

 on paper, by Jared French 

 (1 999. 98.7. 1 -.5 2); PaJaMa box "D," 

 ca. 1940, silver prints mounted on 

 paper, by Jared French (1999.98.8. 

 1-.64); PaJaMa box ''£," ca. 1941, 

 silver prints mounted on paper, by 

 Jared French (1999.98.9. 1-. 57) 



Shelby M. Gans, in honor of Kenneth 

 R. Trapp, on the 5th anniversary 

 of his appointment as Curator-in- 

 Charge of the Renwick Gallery 

 of the Smithsonian American 

 Art Museum. Storage Jar, 1999, 

 terra cotta, by Stephen Merritt 

 (20oo.67a-b) 



Paul and Carole Garrison. 1 5 untitled 

 containers, 1970— 1978, various 

 media, by Stuart Golder (2000.41. 



1-.15) 



Glendale Woodturners Guild. Lathe, 

 1999, various woods including 

 walnut, cherry, maple, ebony, 

 purple heart, teak and ash, by 

 various artists (2000.38) 



Robert Goff (and Mr. and Mrs. Robert 

 Royston, George and Kimi 

 Matsumoto, Asa and Yuriko 

 Hanamoto, Shirley McArthur, and 

 Eli and Penelope Boling, and Eldon 

 and Lenore Boling and Janet 

 Webster, and museum purchase 

 through the Renwick Acquisitions 

 Fund). Twisted Place Setting, 

 manufact: 2000; design: 1985, 

 forged sterling silver, by Michel 

 Royston (2000.63. 1-. 6) 



Diane and Marc Grainer. A long life 

 may not be good enough, but a good life 

 is long enough, 1997, turned and 

 carved mahogany, by Peter 

 Pierobon (2000.52) 



Asa and Yuriko Hanamoto (and 

 Shirley McArthur, and Eli and 

 Penelope Boling, and Eldon and 

 Lenore Boling and Janet Webster, 

 and Robert Goff, and Mr. and Mrs. 

 Robert Royston, and George and 

 Kimi Matsumoto, and museum 

 purchase through the Renwick 

 Acquisitions Fund). Twisted Place 

 Setting, manufact: 2000; design: 



