Helen Marx Greenbaum, Performance, 

 1934, oil on canvas, by Boris Margo 

 (95-18). 



Don Hanson (partial gift), Malcolm X 

 and the Slaughterhouse, 1985, oil, paper, 

 and photomechanical reproduction 

 on paper, by Sue Coe (95.21). 



Louis K. and Susan Pear Meisel, Low 

 Flying Clouds, 1977, acrylic on canvas, 

 by Jack Lembeck (95.24). 



Sean Scully, Untitled, 1995, watercolor 

 and pencil on paper, by Sean Scully 



(95-15)- 



Sean Scully, Untitled. 1995, watercolor 



and pencil on paper, by Sean Scully 



(95l6). 

 Sean Scully, Untitled, 1995, watercolor 



and pencil on paper, by Sean Scully 



(95-17)- 



National Museum of 

 American Art 



Donors to the Collection 



Laura Ackerman-Shaw. Stories from the 



Bible, 1984-1985, forty cloisonne 



enamel with silver wire on copper, by 



Evelyn Ackerman (NMAA. 1996. 53). 

 Mr. and Mrs. Andrew Anderson III. The 



Hook and the Spider. 1995, naturally 



dyed wool, by Irvin Trujillo 



(NMAA.1996.23). 

 Dale and Doug Anderson. Necklace. 



n.d., beads and fabric, by Joyce Scott 



(NMAA.1996.31). 

 Anonymous donor. Casement. 1984, oil 



stick, by Jacob Kainen 



(NMAA.1995.97). 

 Anonymous donor. The Sight Obscure. 



1949, aquatint and drypoint by Jacob 



Kainen (NMAA. 1995.98). 

 Anonymous donor, and the Franklin 



Parrasch Gallery. Lake Summer. 1991, 



woven cotton, by Cynthia Schira 



(NMAA.1996.10). 

 Thomas Jefferson Barlow Familw Corner 



of iyth Street and Pennsylvania Avenue. 



S. W. During the Blizzard of 18pp. 



1899, photomechanical reproduction, 



by W. Paris (NMAA.1996.57). 



William B. Becker. Untitled 



(NMAA. Portrait of Aged Woman in 

 Wicker Chair), ca. 1900, silver print 

 mounted on paperboard, by Uniden- 

 tified Artist (NMAA. 1996. 33). 



Diane and Sandy Besser. Patched Pot, 

 1986, linen and paper by Kay 

 Sekimachi; Chang, 1989, basswood 

 and aniline dyes by Robert Brady 

 (NMAA.1995.85.1,.2). 



Bogen Photo Corporation, made pos- 

 sible through the Perkins Center for 

 the An. %. Jerusalem, Israel U112 from 

 the series Today's Israelis, 1995, silver 

 print on paper, by Bruce Bennett 

 (NMAA.1996.4). 



Karen Johnson Boyd in honor of 

 Michael W. Monroe for his years of 

 dedication to the Renwick Gallery. 

 Folded Brooch, 1990, sterling silver 

 and rutilated quartz, by Eleanor 

 Moty (NMAA. 1996. 21). 



The City of Bridgeport, Connecticut. 

 Sideboard with Mirror, second half of 

 19th c, mahogany and marble; 

 Sideboard with Mirror, second half of 

 19th c, mahogany, marble and brass; 

 Bookcase, second half of 19th c, 

 mahogany and glass; Chandelier, ca. 

 1870, bronze; Valence Board, second 

 half of 19th c, polychromed wood, 

 all by Unidentified artists 

 (NMAA. 1996.25. 1-. 5). 



Charles E. Burchfield Foundation. 

 Icebound Lake Boat. 1924, watercolor 

 on paper by Charles E. Burchfield 

 (NMAA. 1995. 79). 



Kurt and Kim Butenhoff, and Mr. and 

 Mrs. Hugh Halff, Jr., and Judith 

 Ross. Wakeby Night. 1983, monotype, 

 woodcut and lithograph, by Michael 

 Mazur (NMAA. 1996. 46a-c). 



Consolidated Natural Gas Company. 

 Julia Belle Swam. Mississippi River. 

 1975, selenium-toned contact print, 

 by Allen Hess (NMAA.i996.Il); Mul- 

 holland Drive Series (sky pole at center). 

 ca. 1994; Mulholland Drive Series (tree 

 at center), ca. 1994, chromogenic 

 photographs, by Karen Halverson 

 (NMAA. 1996. 59. 1, .2). 



Council of American Embroiderers on 

 the occasion of the 25th Anniversary 

 of the Renwick Gallery. Fear. 

 Laughter and the Unknown. 1978, cot- 



ton thread on linen: embroidery, by 

 Renie Breskin Adams 

 (NMAA.1996.40). 



Gerald and Patricia Eager. Untitled, 

 20th c, enamel on paper by J. C. 

 Huntington (NMAA. 1995.76). 



Michael J. Ettner. Early Home, n.d.; 

 View ofProvincetown, 1892; Landscape. 

 1886; graphite drawings on paper by 

 Henry Farrer (NMAA. 1995.69. 1-.3) 



Frank E. Everett. Andy Mouse (portfolio 

 of four untitled works), 1986, 

 sengraphs, by Keith Haring 

 (NMAA.1995.87.1-.4). 



Eric Green (the collection of Eric Green 

 and Jock Truman). Expulsion, 1980, 

 pencil on paper, by Nancy Wolf 

 (NMAA.1996.20). 



Robert and Gayle Greenhill, with 

 Eleanor T. and Samuel J. Rosenfeld, 

 anonymous contributors (and 

 museum purchase). Four by Four, 

 1994, painted mahogany and 

 bleached ash, by Tom Loeser 

 (NMAA. 1995.92). 



Mimi Gross. Two studies for sculpture 

 Reflection, ea: ca. 1954, ink and 

 crayon, by Chaim Gross 

 (NMAA. 1996.5. i,.2). 



Renee and Chaim Gross Foundation. 

 Acrobatic Performers, 1932, birds-eye 

 maple sculpture by Chaim Gross 

 (NMAA. 1995.75). 



Dons G. Guillumette. Portrait of 

 Doris Guillumette. ca. 1915, 

 autochrome, by Paul Guillumette 

 (NMAA.1996.3). 



Mr. and Mrs. Hugh Halff, Jr. and 

 Judith Ross, and Kurt and Kim 

 Butenhoff (and museum purchase). 

 Wakeby Night, 1983, monotype wood- 

 cut and lithograph, by Michael 

 Mazur (NMAA.i996.46a-c) 



William and Roberta Harris. 

 Mask. 1995; Crete. 1995, mixed 

 media/polaroid works on paper, by- 

 Mark Cooper (NMAA. 1996. 9. i,. 2). 



Lloyd E. Herman, Director Emeritus, 

 Renwick Gallery, 1972-1986, in honor 

 of Michael W Monroe, Curator-in- 

 Charge, Renwick Gallery, 1986-1995, 

 upon the occasion of his retirement. 

 Molded Plywood Chair (prototype J. 

 1978, plywood chair by Peter Danko 

 (NMAA.1995.83). 



268 



