Mr. Richard P. Pfeil 



David Purvis 



Jack & Marjone Rachlin 



Mr. Samuel Rose 



Mr. James F. Sams 



San Antonio Museum of Art 



Caroline T. Simmons 



Ruth Sivard 



Mr. & Mrs. Theodore J. Slavin 



Spanierman Gallery 



Mr. & Mrs. Terry Stent 



Joseph H. Thompson Fund 



Roberta Thompson 



Ms. Alice L. Walton 



Walton Family Foundation 



Mr. Jack W. Warner 



Dave H. & Reba W. Williams Foundation 



Mr. Eli Wilner & Ms. Barbara Brennan 



Edward Foss Wilson 



$y~oo or more 



Jordan-Volpe Gallery, Inc. 



Jane & Leonard Korman 



Ms. Valerie Lippman 



Marlin Miller, Jr. 



Arne A. Nyen 



Samuel &. Eleanor Rosenfeld 



$250 or more 



Alexander &. Alexander 

 Axem Foundation 

 The Coca-Cola Company 

 Dorothy S. Davidson 

 Stephen and Jane W. Lorch 

 The Honorable John D. Rockefeller IV 

 & Mrs. Rockefeller 



Donors to the Collection 



Ronald and Anne Abramson with the 

 James Renwick Alliance and mu- 

 seum purchase. Ghost Boy. 1992, birch 

 plywood, sitka spruce, poplar, copper 

 leaf, epoxy resin inlay, anahne dyes, 

 by John Cederquist (born 1946) 



(1993 Si> 



Ronald Abramson (and Walter Fatzin- 

 ger). Untitled prints from portfolio 

 Delaunay. Goncharova. Popoia and Alt. 

 1992, screen prints, by Miriam 

 Schapiro (born 1923 Canada) 

 (1993-36.I-.3)- 



Patricia Aburdene (and John Naisbitt). 

 With In. 1985, oil on canvas, by Leon 

 Berkowitz (1915-1987) (1993.66). 



Christopher Addison (and Sylvia Rip- 

 ley). Effects, portfolio, 1992, etchings, 

 by Peter Stevens (born 1955) 

 (1993.61.1-.3). 



Jules Allen. Untitled (police subduing 

 man). 1987, gelatin silver print, by 

 Jules Allen (born 1947) (1994.62). 



Glen E. Alps. The White Necklace. 1969, 

 collagraph, intaglio, relief, and em- 

 bossing; Trees. 1985, collagraph; Colla- 

 graph #/. 1956, collagraph; A Space 

 Kite/On an Invisible String/Held by a 

 Little Girl/In a Big Tree. 1977, collal- 

 graph burnt lacquer plate, intaglio 

 on paper; Space Tensions. 1956. colla- 

 graph, intaglio on paper; The Three 

 Chickens. 1958-1959, collagraph inta- 

 glio on paper, by Glen E. Alps (born 

 1914) (1993.39.1-.6). 



Dale and Doug Anderson. Garnet Black 

 and Mint Green Float with Dimple. 

 1991; Snou- White and Gold Leaf. 1991; 

 Mottled Blue Black Float with Silver 

 Leaf. 1992, blown glass works, by 

 Dale Chihuly (born 1941) (1993. 46.1- 

 .3); San Bias. 1967, cotton and linen, 

 by Ed Rossbach (born 1914) (1994.54). 



Anonymous donors. Soundless. 1992, 

 etching and spit-bite on paper, by 

 Robert Stackhouse (born 1942) 

 (1993.65). 



Archives of American Art (transfer 

 from). Fortran of a Man. ca. 1830, wa- 

 tercolor on ivory, by an Unidentified 

 Artist (19th c.) (1993.37). 



Jo Babcock. Fa.-rvieu. Netada Clouds. 

 1991, color coupler print from paper 

 negative original, by Jo Babcock 

 (born 1954) (1994.2). 



Will Barnet. Sleeping Woman, ca. 1938, 

 ink and brush; Untitled (Seated 

 Woman), graphite on paper; Portrait of 

 Frank Rtbe/in. ca. 1983, carbon pencil 

 on paper; study for Summer, ca. 1986, 

 carbon pencil on paper; Mother and 

 Child, ca. 1945, litho crayon on paper; 

 study for 5 Muses, early 1980s, carbon 

 crayon and oil on watercolor paper; 

 Child and Necklace, ca. 1944, litho 

 crayon on paper; Woman and Cat. 

 1979, carbon crayon on vellum; early 

 study for The Bond. 1986, carbon 



crayon, tondo; The Mandolin, study 

 for Emily Dickinson Series. 1989, car- 

 bon crayon on heavy paper; study for 

 Self-Portrait. 1982-1983, carbon pencil 

 on vellum, by Will Barnet (born 1911) 

 (1994.42.l-.il). 



Linda and Mitch Berliner, pair of red 

 urns, 1994, hot worked glass, by Louis 

 Sclafani (bom 1954) (I994.35.I..2). 



Fritz Blumenthal. Studio No. 2. 1969, 

 Woman Bending Doun. 1977; Torn Post- 

 ers. No. }a. 1980, monotypes, by Fritz 

 Blumenthal (born 1913 Germany) 

 (1994.38. 1-. 3). 



Mary Glancy Bragg. (Picnic), ca. 1870, 

 oil on canvas, by J. M. Tracy (1844- 

 1893 (1994. 44. 1); A Glimpse ofTaxco. 

 1931, lithograph on paper, by Birger 

 Sandzen (1871 Sweden-1954 USA) 

 (1994.44.2). 



Consolidated Natural Gas Company 

 Foundation. Mulholland near Canyon 

 Lake Drive. March }0. ippj. 1993; Mul- 

 holland at Multivieu- Drive. August 28. 

 1991. 1991; Mulholland at the Hollywood 

 Drive. August 28. ippi. 1992, chromo- 

 genic photographic prints, by Karen 

 Halverson (bom 1941) (1994.1.1-.3). 



Darlene Mason Denard. Profile in Blue. 

 1988, ink, charcoal conte on papet, by 

 Ron Adams (born 1934) (1994.58). 



Walter Fatzinger (and Ronald Abramson). 

 Untitled prints from portfolio Delaunay. 

 Goncharova. Popova and Me. 1992, screen 

 prints, by Miriam Schapiro (bom 1923 

 Canada) (1993.36.1-.4). 



Ruth Fine. Car. 1988, monoprint, 

 screenprint, by Frank Romero (born 

 1941) (199416). 



James M. Fitzpatnck. Rolling Weather. 

 1993, monotype, by John Evans (born 



I943)d993 56) 



Fondo del Sol Visual Arts Center. 

 Nueslra Senora Caridad del Cobre. 

 drawn 1987/poster 1991, screenprint 

 from an oil pastel drawing, by Jorge 

 Pardo (born 1951 Cuba) (1994.27). 



Gus Foster. Vietnam Memorial. 1988, 350- 

 degree panoramic photograph, by 

 Gus Foster (born 1940) (1994.26). 



Rita Fraad. Encased. 1991, monotype and 

 wood print on paper, by Karen Kunc 

 (born 1952) (1994.48). 



Estelle E. Friedman (and museum pur- 

 chase). Birthing, ca. 1986, poly- 



278 



