James Renwick Alliance. Untitled, 1985, 

 sandblaster stoneware, by Graham 

 Marks (born 1951) (1994.18); Drinking 

 Beakers, 1992, gold, pewter and silver, 

 by Pat Flynn (born 1954) (1994.19.1- 

 .4); Neckpiece. 1988, safety pins, glass 

 beads, crocheted cotton cord, by Tina 

 Fung Holder (born 1946) (1994.19.5); 

 Brooch, 1993, sterling silver, 18k gold 

 granulation, 18k gold spectrolite, by 

 Harold O'Connor (born 1941) 

 (1994.19. 6); Plate #753, 1987, stone- 

 ware, white slip over black glaze, by 

 Robert Sperry (born 1917) (1994.30); 

 Convertible Car Kiln, ca.1971, ceramic 

 with gold luster and fabric, by Patti 

 Warashina (born 1940) (1994.37.1); 

 Lady in Blue and Yellow Dress, 1983, 

 glazed ceramic, by Viola Frey (born 



1933) 0994-37-2)- 



James Renwick Alliance with Ronald 

 and Anne Abramson and museum 

 purchase. Ghost Boy. 1992, birch ply- 

 wood, sitka spruce, poplar, copper 

 leaf, epoxy resin inlay, analine dyes, 

 by John Cederquist (born 1946) 

 (1993-51). 



Frank K. Ribelin. Quadra. 1989, color 

 lithograph, by Deborah Remington 

 (born 1935X1993.60). 



Sylvia Ripley (and Christopher Addi- 

 son). Effects, portfolio, 1992, etchings, 

 by Peter Stevens (born 1955) 

 (1993.61.1-.3). 



Karl Schrag. Rain and the Sea. 1946, 

 etching and engraving; The Calm and 

 the Stormy Sea. 1959, color etching and 

 engraving; Overgrown Path. 1962, 

 color lithograph; Silence Above the 

 Storm. 1964, color etching and aqua- 

 tint; The Artist as a Boy with his Fa- 

 ther and Mother. 1968, color etching; 

 Trees Touched by Moonlight. 1970, color 

 etching, engraving, and aquatint; Por- 

 trait of Una Johnson. 1974, color etch- 

 ing and aquatint; Noon Sun through 

 Clouds. 1975, aquatint and stencil on 

 paper; Night Music. 1985, handcolored 

 lithograph; Late in Life Passion. 1990, 

 colot etching and aquatint; Sound of a 

 Forest Brook. 1986, color etching and 

 aquatint; Portrait of Luc ten Gold- 

 schmidt. 1990, color lithograph; Au- 

 tumn Wind and Stars. 1988, color 

 lithograph; The Painters Poem. 1993, 



color lithograph; Trees Against the 

 Night Sky, 1993, monotype; Flowering 

 Tree-Bright Night. 1987, monotype; 

 Joyous Note-Autumn Dusk, 1992, colot 

 lithograph; by Karl Schrag (born 

 Germanny 1912) (1993. 38. 1-. 17). 



Eugene Ivan Schuster. Bopping at Birdland 

 (Stomp Time), 1979; Brass Section (Jam- 

 ming at Minton's). 1979; Louisiana Sere- 

 nade. 1979; Tenor Sermon. 1979, color 

 lithographs on paper, by Romare 

 Bearden (1914-1988) (1993.79. 1-.4) 



Christopher C. Schwabacher (and 



Brenda S. Webstet). Sunday. 1955, oil 

 on canvas, by Ethel Schwabacher 

 (1903-1984) (1994.10). 



Ron and June Shelp. Top of the Line. 

 1992, enamel, rope, metal on ply- 

 wood, 1993.47; Life Goes On. 1990, oil 

 on canvas, by Thotnton Dial (born 

 1928X1993.63). 



Charles Simon. Crucifixion. 1992, oil on 

 canvas, by Lawrence B. Salander, 

 (born 1949) (1993-35) 



Ruth L. Sivard (museum purchase made 

 possible by). Untitled works, 1992, 

 spitbite, hardground, photoetching 

 with aquatint, two spitbite, 

 hardground, aquatint prints, by Rich- 

 ard Kalina (born 1946) (1994.14.1-.3). 



Mr. and Mrs. John Smither. The Horse 

 Race, 1990, oil on canvasboard, by 

 Reverend Johnnie S. Sweanngen 

 (1908-1993X1993.74). 



Richard Spurgeon. Debussy Suite in C. 

 1993; Ellington Suite. Opus 7, 1993, 

 monotypes, by David Chamberlain 

 (born 1949) (1993.68.1,2). 



Thurlow Evans Tibbs, Jr. Portrait of Lil- 

 lian Evans Tibbs (Evantt). 1937, by 

 Prentice Hall Polk (1898-1984) 

 (1994.61). 



Heinz Warneke (bequest). Wild Boar. 

 ca. 1931, marble; Boars (three heads). 

 n.d., pencil on papet; Boars (two). 

 n.d., pencil on paper; Cats. ca. 1929, 

 pencil and ink wash on paper, by 

 Heinz Warneke (1895 Germany-1983 

 USA) (1993.44.I-.4). 



Joan Watkins. Brooch, ca. 1948, silver 

 with beach pebbles; Earrings, ca. 

 1948, silver with beach pebbles; 

 Brooch, ca. 1948, silver; by Ronald 

 Hayes Pearson (born 1924X1993.78.1- 

 .3); Bracelet, ca. 1967, silver with 



pearls; Ring, ca. 1967, 14k. gold with 

 biwa pearls, by Mary Renk (born 

 1921) (1993.78.4, .5). 



Brenda S. Webster (and Christopher C. 

 Schwabacher). Sunday, 1955, oil on 

 canvas, by Ethel Schwabacher (1903— 

 1984) (1994.10). 



William Wiley. Study for "in the Name 

 of...", 1982, pencil on paper, by Wil- 

 liam Wiley (born 1937) (1994.6). 



Eli Wilner & Co., New York. Untitled 

 (seated female nude), n.d., pen and ink 

 on paper, by Karl Bittet (1867 Aus- 

 tna-1915 USA) (1994.31). 



George C. Zachary. Ceramic Service for 

 Eight (64 pieces with JO serving pieces), 

 earthenware with lusters, ca. 1979, by Bea- 

 trice Wood (born 1892) (1993.64.1-.17). 



National Museum of 

 American History 



Donors to the Collection 



Mrs. Jean Abinader, Sr; 2 bound vol- 

 umes of Arabic and Spanish news- 

 papers and an Arabic play 

 manuscript (1993. 3125). 



Adeline Adams (through Alfred H. and 

 Frances K. Hoopes): garnet necklace 

 containing a pendant of a gold 

 Hungarian ducat of 1844 (1993.0498). 



Rita J. Adrosko: jacquard-woven silk 

 picture, 1930s, upholstery fabric sam- 

 ple, 1950s, and an acetate ribbon, 

 1979 (1993.0426); book-shaped coin 

 bank and a mechanical pencil, both 

 marked with the Singer Sewing Ma- 

 chine Company name (1993.0530). 



Richard E. Ahlborn: 2 fraternal badges, 

 ca. 1900 (1992.0570); Cornwell's draft- 

 ing tool, 1876-78 (1993.0237); reverse 

 painting on glass of flowers and 

 leaves framing a print of San Fran- 

 cisco Xavier de Magdalena, made by 

 Anastacio Leon and Francisco Silva at 

 a craft fair in Tucson, Arizona, 1993 

 (1993.0496). 



Aitutaki Post Office: 4 stamps and a 

 first day cover of Aitutaki 

 (1992.2055); 20 stamps, 4 first day 

 covers, and a souvenir sheet of 



280 



