Donors to the Collection 



Robert Arneson. Final Study for "Diana 

 IV," 1980, charcoal, pastel, and pencil 

 on paper, by William Beckman (92.4) 



Sally Avery. # p-iM, 1952, oil on can- 

 vas, by Stephen Pace (91.53) 



Larry Bell. SMS #216, 1991, mylar, 

 paper, laminant film, aluminum and 

 silicon monoxide on canvas, by Larry 

 Bell (92.5) 



Mrs. Parti Cadby Birch. We Are Not the 

 Last (Non Siamo Gli Ultimi), 1974, 

 acrylic on linen, by Zoran Music (92.6) 



Mrs. Minna Lederman Daniel. House 

 Tops, 1920, oil and water-soluble 

 paint on canvas, by Mell Daniel 



(91-35) 



Mrs. Minna Lederman Daniel. Early 

 Tree, ca. 1920-1925, ink on paper, by 

 Mell Daniel (91.36) 



Mrs. Minna Lederman Daniel. Cor- 

 nucopia, 1972, watercolor and ink on 

 paper, (91.37) 



Mrs. Gertrude M. K. Edwards. Untitled 

 (Young Woman Holding a Letter), 1905, 

 oil on canvas, by Lovis Corinth (91.65) 



Dr. and Mrs. Merle S. Glick. Untitled 

 (4.10.9.8), ca. 1965, painted stone and 

 painted metal chain on wood with 

 brass plate, by Wallace Berman 



(91-45) 



Samuel M. Greenbaum. Neck-Tied En- 

 tanglement, ca. 1974, oil, beeswax, and 

 perlite on canvas, by Nicholas 

 Sperakis (91.38) 



Olga Hirshhorn. Various books to the 

 museum's library. 



Nancy Holt. Drawing for "Gyrostasis," 

 1968, pencil on paper, by Robert 

 Smithson (91.54) 



Nancy Holt. Untitled (Drawing for 

 "Gyrostasis"), 1968, pencil on paper, 

 by Robert Smithson (91.55) 



David Ireland. Study for Hirshhorn 

 "Works" (Washington at Night), 1989, 

 pencil, crayon, and colored pencil on 

 paper, by David Ireland (91.39) 



David Ireland. Study for Hirshhorn 

 "Works" (Nighttime, Washington, 

 D.C.), 1989, pencil, crayon, and 

 colored pencil on paper, by David 

 Ireland (91.40) 



David Ireland. Study for Hirshhorn 

 "Works" (Coronet), 1989, pen and ink 



and crayon on paper, by David 

 Ireland (91.41) 



David Ireland. Study for Hirshhorn 

 "Works" (Trough on Roof), 1989, pen 

 and ink, crayon, and colored pencil 

 on paper, by David Ireland (91.42) 



David Ireland. Study for Hirshhorn 



"Works" (Hirshhorn Museum with Fired 

 Balcony), 1989, pen and ink and 

 colored pencil on paper, by David 

 Ireland (91.43) 



David Ireland. Study for Hirshhorn 

 "Works" (Elevation), 1990, ink, felt- 

 tipped pen and ink, and pencil on 

 paper, by David Ireland (91.44) 



Joseph Kosuth. Ex-Libris (Wittgenstein's 

 Gift), 1990, lithograph on vellum 

 paper, by Joseph Kosuth (91.30) 



Mr. and Mrs. Mortimer C. Lebowitz. El 

 Solitario, 1970, oil on canvas, by 

 Rufino Tamayo (91.64) 



Robert Lehrman. Do Not Go Gently, 

 1987, bronze and steel, by Chris- 

 topher Wilmarth (91.26) 



Irwin and Suzanne Leibowitz. Peanuts, 

 1991, latex on wood, by Gary S. 

 Leibowitz (91.56) 



Irwin and Suzanne Leibowitz. Weenies, 

 1991, latex on wood, by Gary S. 

 Leibowitz (91.57) 



Sydney and Frances Lewis. Proposal for a 

 Colossal Monument in the Form of a 

 Typewriter Eraser for Alcatraz 

 ("Typewriter Eraser on Alcatraz"), 1972, 

 watercolor, crayon and graphite on 

 paper, by Claes Thure Oldenburg (91.31) 



Gordon Locksley and George T. Shea. 

 Untitled, 1981, brush and ink on 

 paper, mounted on linen, by David 

 Deutsch (91.46) 



Bert N. Mitchell. The Flag, 1990-1991, 

 acrylic on canvas, by Herbert Gentry 

 (9116) 



Benjamin Nicolerte. I've Been Living in a 

 Hydrogen Bomb, 1980, pen, brush and 

 ink, and watercolor on paper, by 

 John Alexander (91.66) 



Mrs. Mary Nikoloric. Untitled, 1925, 

 wax crayon on paper, by Ivan 

 Mestrovic (91.32) 



Mrs. Mary Nikoloric. Lamentation, 1917, 

 shellacked plaster, by Ivan Mestrovic 



(91-33) 

 Mr.and Mrs. Stephen Pace. Untitled, i960, 

 oil on canvas, by Ernest Briggs (92.11) 



Matt Phillips. Garden for Three, 1988, 

 paper collage, monotype, and pastel 

 on paper, by Matt Phillips (91.60) 



Matt Phillips. The Forest, 1988-1989, 

 paper collage, monotype and pastel 

 on paper, by Matt Phillips (91.61) 



Matt Phillips. Berkeley Hills, 1989, paper 

 collage, monotype and charcoal on 

 paper, by Matt Phillips (91.62) 



Man Phillips. My Fair Garden, 1991, 

 paper collage and monotype on 

 paper, by Matt Phillips (91.63) 



Vivian and Elliott Pollock. Snake Eyes, 

 1975, handmade paper, fabric, and 

 bamboo, by Robert Rauschenberg 



(92-14) 



Paul Reed. Gilport Fill, 1971, acrylic on 

 canvas, by Paul Reed (91.50) 



Robert Reed. #^A 196$, 1965, acrylic on 

 canvas, by Paul Reed (91.51) 



Robert Reed. $-17-90*1, 1990, opaque 

 watercolor on paper, by Paul Reed (91.52) 



Robin and Judy Rose. One Down..., 1981, 

 color lithograph with gouache on 

 paper, by Howard Hodgkin (91.25) 



Mrs. June Schuster. Captain Perry Roses - 

 Series 196$I$C.R., 1965, acrylic on can- 

 vas, by Philip Hefferton (92.12) 



Smithsonian Resident Associates. On the 

 Way, 1980, pen, brush and ink, and 

 watercolor on paper, by Jacob 

 Lawrence (91.67) 



Smithsonian Resident Associates. 

 Flowers for a Country, 1991, color 

 serigraph on paperboard, by Mindy 

 Weisel (91.68) 



Josephine C. Thornton. Untitled A, 

 1967, assemblage of aluminum, 

 painted aluminum and screws, by 

 Conrad Marca-Relli (92.15) 



Donald M. Treiman. Hercules and Alces- 

 tis, 1983, oil on canvas, by Joyce 

 Treiman (91.58) 



Donald M. Treiman. Untitled (The Sur- 

 veyor), 1982, pastel and pencil on 

 paper, by Joyce Treiman (91.59) 



Donors of In- Kind Support 



Balair. Service gift of director's transpor- 

 tation to and from Switzerland. 



Duke Ellington School of the Arts for 

 providing studio space for a week- 

 long workshop. 



170 



