ElGS. 3 and 4. Here the spectator will find, as he recedes or turns down the light, that all 

 the monochrome figures, even the dimmest, can lie seen further, or in a less illumination, than 

 the two normally and brightly patterned ones. These latter lade first. They show how con- 

 trasted juxtaposed color-notes destroy each other, so that, contrary to the current theories, 

 monochrome is far better both tor revealing the wearer, and also lb]' proclaiming his identity 

 amidst the innumerable details of wild places. 



