32 G. A. J. VAN DER SANDE. 



N°. 156. A min. Wâri; with cover, dokïr, out of bamboo, sosef; ornamented, fase, with five bands of 



longitudinal scratchings, moi; 26 X 5 c - m - 

 N°. 157. Ami n. Wâri; seven raised bands, partly cross-hatched, between thèse, four bands quite deprived 



of the rind and blackened and two bands with standing ovals; 19X4 c - m - 

 N°. 158. Amïn. Wâri; with cover, red brown; three bands of hook- and curl-shaped figures on a back- 



ground, hatched in black; 31 X 5-5 c.m. 

 N°. 159. PL V, fig. 5. i l i and 5a. 1 / l . Amïn. Wâri; lower part scraped and blackened, at the top a band 



of hooks and curls; in the centre two human figures, the head towards the bottom end. Circum- 



ference of the face, the eyes and the nose, with the wings of the nose, in relief; the limbs strongly 



curved and with many curls, the feet turned up against the shins. 

 N°. 160. Odjiè or âru dôbrè. Kwatisoré; length 18.5, diameter of opening, odô grè, 3.4 cm.; 



lower part scraped and blackened, the incised ornaments, onu une or ochnu une, as bands of lying 



and standing reversed coils and small circular disks. 

 N°. 161. Odjiè. Kwatisoré; red brown, upper and lower end scraped, the remainder with bands of 



hooks, curls, spirals, circles and reversed coils; 27X6 c - m - 

 N°. 162. Odjiè. Kwatisoré; lower end scraped and blackened, the remainder with numerous hori- 

 zontal bands, of which nine with hook-shaped curls; 8.5X3-9 c - m - 

 N°. 163. Odjiè. Kwatisoré; upper and lower end scraped and blackened, also three bands of triangles, 



small squares and curls; 23X4 c - m - 

 N°. 164. Odjiè. Kwatisoré; as N°. 163, three bands of ridges and curls; at the top two diametrical 



holes for carrying loop; 14.5 X 3-5 c - m - 

 N°. 165. PI. V, fig. 6. '/ 4 , 6a. '/j, 6b. ! /j. Uhâmba ure. Kwatisoré; bamboo, odjâ biè, ornamented with 



bands of hooks and curls (fig. 6b); at the edge two squating human figures, jomhio idjè, (fig. 6a) 



through which a loop for carrying made out of tanned cotton cord, w(u)âriè hibiè, with beads, ns, 



grè or n&hab grè, and small calico-tassel, hibiè. 

 N°. 166. PL IV, fig. 34. '/ 7 . Fdrc rèbè. Angâdi; both ends scraped, the remaining surface with 



reversed coil- and hook-shaped figures, in standing rows; the incisions not blackened. 

 N°. 167. PL IV, fig. 33. '/ 7 . P'àre rèbè. Angâdi; as N°. 166, entirely covered with carved lines, curls 



and hooks, near the opening diametrically two holes; not artificially blackened. 

 N°. 168. PL IV, fig. 32. '/ G . Pdrc rèbè. Angâdi; as N°. 166, with reversed coils and hooks; on the 



edge two broad points, each with square hole, through which a loop of cord, tèmani. 



Tobacco pipes and tinder boxes. 



N°. 169. PL IV, fig. 31. '/ 5 . Mapâr; pipe made out of hard brown wood, conical bowl and sword-shaped 

 handle lying in a straight line. Where the transverse mouthpiece déviâtes, a circular relief band. On 

 one side of the handle a zigzag band is carved. Used by mai and women. 



N°. 170. Mapâr; as N°. 169, but only 12 cm. long, the handle with ridges on both side surfaces; no 

 circular relief band. 



N°. 171. PL IV,fig. 30. 2 / n . Aipiè. Pokémbo. (Arfak Mountains) shaped as before, but the stem, square 

 and pointed at the end, near the bowl with two relief bands. 



N°. 172. PL IV, fig. 29 and 29a. 1 ! i . Mapâr. Tinder box out of a bamboo cylinder with nodium as bot- 

 tom; near the opening a circular band with cross-hatching ; contents: a pièce of blue porcelain 

 (China?, fig. 29a) and brown tinder {Lycoperdinaceae) mixed with charcoal fibres. From the 

 bag carried by a man. 



N°. 173. Mapâr; as N°. 172, near the opening bands hatched with zigzags; two pièces of porcelain; 

 closed by a plug of leaves; 21X2-5 cm. 



