KODAK DEVELOPING MACHIKE. 



It Gives Better Results Than the Old Method. 



richness ; Eastman's Sepia Paper, giving 

 exquisitely soft Sepia tones and broad, 

 sketchy effects that remind one of an old 

 etching — all of these papers are simple to 

 use and not one of them requires a dark- 

 room at any stage of the manipulation. 



When one has selected his own point 

 of view for the exposure, has developed 

 the negative and has finished the print 

 — has produced by his. own handiwork, 

 through every stage of its growth, the 

 perfect and satisfying picture — then, and 

 not until then, will he appreciate to its 

 full extent the witchery of Kodakery. 



Not only does the Developing Machine 

 throw light into the dark-room at home, 

 but it enables one to develop his nega- 

 tives when away from home. In his room 

 at the hotel, in the hunter's or fisherman's 

 camp, in the cabin of his yacht, in the 



dressing-room of a sleeping car — in fact 

 anywJicrc that one can obtain cold water 

 and a place to throw waste, the amateur 

 can operate the Kodak Developing Ma- 

 chine. In loading the Kodak he uses Film 

 Cartridges for two, four, six or twelve 

 exposures, as he desires, and when the ex- 

 posures are made he neither waits in im- 

 patience for the return from his vacation 

 trip nor makes a long and aggravating 

 search for a photographic dark-room, but 

 in broad daylight and in perfect comfort 

 he operates his machine. Even if his judg- 

 ment be somewhat at fault, the wide lati- 

 tude which films allow in exposure will 

 help him out within any reasonable 

 limits. Skill is not an essential — just an 

 implicit following of the very plain direc- 

 tions will make negatives of technical 

 excellence. 



