■?- : ;:;'i : V'>.'. : ? 



Of course, there are automobile rambles 



steed of the twentieth century, and the 

 wonderful sun-painting device of the 

 same era, the mixture is not as easily 

 accomplished as it seems. 



In the first place, if you go a-photo- 

 graphing without a predetermined idea 

 of where you want to go, and what you 

 want to take, you expect to derive most 

 of your pleasure from the quiet ramble, 



the aimless strolling hither and yon, 

 looking for the particular composition 

 or light effect which pleases your eye. 

 On the other hand, when you go motor- 

 ing, you usually have one of two ideas 

 to carry out, — to go to some particular 

 place, for some particular reason, or to 

 go to any old place as fast as you can 

 conveniently do so, without being ar- 



An "incident of the road 



466 



